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WORLD PIZZA

One can only wish that “world pizza” could solve our planet’s problems.

Many people wish fervently for world peace, and the mom in this picture book is no different.

When a white mom in an interracial family wishes on a star for world peace and then sneezes, the words sound like “world pizza,” or at least that’s what her sons think. Suddenly a delicious pizza drops from the sky. Unbeknownst to the family, pizzas of many different flavors start dropping all over the world, and behavior changes. Bullies become friendly, pirates stop fighting, and “angry neighbors with tall fences and locked doors” explore the world outside. The digital illustrations have a painterly feeling, but unfortunately, the usual stereotypes show up: a pirate in an eye patch, an Arctic Native in a fur-trimmed parka, and unnamed Africans in grass skirts. Other illustrations show familiar scenes of parades and playgrounds with diverse groups of people. The wishful mama never realizes the world has changed, although her family is “cozy in the warmth of their peaceful dreams. / And everyone was happy” in the universe that visually expands out of her sons’ deep blue quilt. The gentle text, however unrealistic, does have a very positive outlook. The unusual pizza ingredients named in the text are strewn across the inside covers—pickles, marshmallows, cherries, and chocolate chips—but (perhaps thankfully) no recipes are included.

One can only wish that “world pizza” could solve our planet’s problems. (Picture book. 5-8)

Pub Date: June 6, 2017

ISBN: 978-1-4549-1946-9

Page Count: 32

Publisher: Sterling

Review Posted Online: March 19, 2017

Kirkus Reviews Issue: April 1, 2017

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FIELD TRIP TO THE MOON

From the Field Trip Adventures series

A close encounter of the best kind.

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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MARY POPPINS

Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...

Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.

Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.

Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)

Pub Date: Oct. 23, 2018

ISBN: 978-1-328-91677-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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