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THERE’S NO PLACE LIKE HERE

For all her wit and cleverness, Ahern’s romanticizing of missing children, not to mention the disappeared, borders on...

Ahern (If You Could See Me Now, 2006, etc.) approaches the less-than-playful subject of missing persons with her typical whimsy.

Sandy Shortt of County Leitrim, Ireland, has been obsessed with lost objects ever since her playmate and rival Jenny-May Butler disappeared when they were ten. Concerned about her obsessive-compulsive tendencies, Sandy’s parents sent her at 14 to a therapist, Gregory Burton, whom she saw until she graduated high school at 18, when he gave her a lingering farewell kiss. Now Sandy, who is 34 and whose 6’1” frame cutely belies her name, runs an agency to find missing people. She also has carried on a romantic relationship with Gregory since she was 21, but she has been unwilling to commit—the apparently unintentional creep factor of this relationship is emblematic of the novel. One early morning, while out jogging, Sandy takes a strange path and ends up in the world of lost things and people. It turns out to be a pretty nice world, actually, with good food. Sandy soon meets most of the persons she’s been looking for over the years, including Jenny-May. While they have made complete lives for themselves, the lost are happy to have Sandy fill them in on the families left behind. Meanwhile, back in Ireland, the last person Sandy noticed before disappearing was a familiar-looking man at a gas station. Coincidentally he is Jack Ruttle, the man she was scheduled to meet to discuss his missing brother. When she doesn’t appear for their meeting, Jack, desperate to find his brother, goes looking for Sandy and stumbles upon the truth about his sibling. Sandy returns, cured of her obsession and ready to embrace the present.

For all her wit and cleverness, Ahern’s romanticizing of missing children, not to mention the disappeared, borders on offensive.

Pub Date: Jan. 1, 2008

ISBN: 978-1-4013-0188-0

Page Count: 352

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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