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PARISIAN PROMISES

An elusive tale of love, sex and mind games.

In Velástegui’s (Trace of Bliss, 2011, etc.) novel, an American girl studying abroad in 1970s Paris finds herself risking her safety as well as her heart.

Four young American travelers, vowing to have the time of their lives, stay in the Paris apartment of an eccentric, aging revolutionary, Madame Caron de Pichet. While walking down the Avenue des Champs-Élysées, Monica, the most lovelorn of the bunch, meets a handsome, young Che Guevara look-alike. As he woos her with his worldly charms, she’s unaware of his plan to use her as a pawn in his scheme of political destruction. After he takes her out on a date, he holds her captive in his apartment, using affection and pain to brainwash her into following his every command. He holds her as his devoted prisoner for several days, and when he finally sets her free, she returns to Madame Caron de Pichet’s apartment. Madame greets her and, in conversation, encourages her to collect multiple lovers in her time abroad. She sends Monica to a château in the country, where she meets a young heir who shares her interest in horses, as well as her amour fou. Monica is soon torn between the mind-bending madman who kidnapped her and the boy who yearns for her. However, as she attempts to settle this conflict, the city of Paris faces grave danger. Velástegui’s character development shines as she populates her cast with eclectic personalities. Her detailed accounts of brainwashing are also impressive in their seeming authenticity. However, the romantic relationships come off as unpolished, and a hefty portion of the novel has Monica professing a love that doesn’t seem real or convincing. Indeed, the weak-mindedness of the four American students is quite remarkable, with hardly any mention of their actual studies; instead, they come off as merely sex-crazed, without any true ambition, which some readers may find rather disheartening.

An elusive tale of love, sex and mind games.

Pub Date: March 18, 2014

ISBN: N/A

Page Count: -

Publisher: Libros Publishing

Review Posted Online: Jan. 22, 2014

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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