Although it reaches for an inevitability it doesn’t achieve, a promising debut.
The fate and fortunes of a Sino-Hawaiian family are altered by bad romantic choices.
Wong’s first novel begins as members of the Leong family, the wealthiest and most influential clan on the island of Oahu, converge for a funeral in 1964. From there, the story, related by various family members, branches out to cover six decades and three generations as the Leong family curse takes shape. In 1900, Hong, a widowed refugee from the Boxer Rebellion, treks miles to find refuge in the home of her brother-in-law, Frank Leong, a shipping magnate. The family migrates to Hawaii, and Leong builds a lavish mansion in the shadow of the volcano Diamond Head for his beloved wife, Lin, and their son, Bohai. Amy Chan, 20-year-old eldest daughter of an impoverished photographer and his harried wife, is working in her father’s shop when Pearl Harbor and the advent of World War II improve the family’s prospects. Soldiers are clamoring for photo portraits before being shipped out, and Henry, Amy’s forgotten childhood sweetheart, is among them. The two become engaged, but all that changes when the Leongs hire the Chans to photograph their family. Lin seizes on the fetching Amy as the solution for her shy, studious son Bohai’s confirmed bachelorhood. (He is now 33.) Amy’s mother convinces her that marrying Henry would be a mistake: She herself had married for love and now lived in a basement with a feckless husband and Amy’s nine siblings. After receiving an ambiguous letter from Henry, who is stationed overseas, Amy is persuaded to marry Bohai. Her decision triggers a series of disasters for the Leong family. The enigmatic Hong and Amy's daughter, Theresa, 18 and pregnant out of wedlock, act as bellwethers and interpreters of the family’s downfall. The novel’s many diversions and diffuse focus make for an unwieldy structure that cannot support the explosive closing revelations. Nevertheless, Wong’s pellucid prose style keeps the pages turning.
Although it reaches for an inevitability it doesn’t achieve, a promising debut.Pub Date: April 14, 2015
ISBN: 978-0-06-234543-1
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 20, 2015
Kirkus Reviews Issue: Feb. 1, 2015
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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