Monforton, director of the Beyond OSHA Project, and journalist Von Bergen tell the neglected story of the “nationwide worker center movement” that champions the rights of immigrants and others.
In 2018, when a Texas poultry plant gave its workers too few bathroom breaks, diaper-wearing protesters showed up carrying a sign that said, “Let My People Pee.” Organized by the Centro de Derechos Laborales in Bryan, the demonstration led to an immediate improvement in conditions at the plant, and it’s among the surprisingly effective tactics described in this well-reported survey of many of the 225 community labor organizations known as “worker centers,” which fight “exploitation and oppression” on the job. Unlike labor unions that serve members in related trades, worker centers educate and advocate for workers “marginalized because of language, because of immigration status, because their jobs as domestic workers isolate them, or because their employment status is murky as gig or temp agency workers.” With less government regulation than unions, worker centers have won political victories or performed services that have often flown under the radar. In Chicago, Arise Chicago and other groups successfully lobbied the city to create the Office of Labor Standards to enforce minimum wage and other laws, and in Los Angeles, the Pilipino Workers Center rented houses for workers who had to quarantine during the pandemic. In New York, the Gig Workers Collective, a virtual center for Instacart and other shoppers, teamed up with Amazon warehouse workers for a protest in which activists posed next to body bags outside Gov. Andrew Cuomo’s office, urging him to do more to protect Amazon workers. A work of journalism rather than history, the book offers little about the precursors of the centers, such as mutual aid societies, but it more than makes its case that “labor activism is not a quaint notion from days gone by.”
These are not your parents’ labor unions—an excellent introduction to a burgeoning and necessary movement.Pub Date: May 4, 2021
ISBN: 978-1-62097-501-5
Page Count: 288
Publisher: The New Press
Review Posted Online: Feb. 18, 2021
Kirkus Reviews Issue: March 15, 2021
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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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