A marvelously creative but tediously labyrinthine story.


An ex-athlete gets a chance to alter the course of history and find his missing wife in this supernaturally charged time-travel adventure. 

American Charley Montgomery, a former professional football player, moves to Normandy, France, with his wife, Jane. Soon afterward, she goes missing, and all that Charley can find of her is a bloody sneaker. Despite his efforts to locate her, local police seem convinced that he killed her, although they don’t have enough evidence to arrest him. Then, one day, Charley is awakened by the sound of unannounced visitors in his home: Richard “Bobby” Percival and Babe Caffo, both dressed like soldiers from the 1940s. They claim to be Jedburghs, part of an elite team of soldiers that infiltrated France in advance of the colossal D-Day invasion of Allied troops during World War II. The two men, it turns out, are capable of traveling through time, using alchemical innovations of the ancient scientist Hermes Trismegistus. They’re on the trail of a man named Fulcanelli, a mysteriously ageless figure recruited by the Nazis who knows a secret way to unleash destructive atomic energy. However, Fulcanelli can’t harness this power on his own—he needs the help of a supernaturally powerful little girl, whom he kidnapped. That little girl is Jane, who will grow up to be Charley’s wife. Debut author Birmingham ingeniously follows his protagonist’s efforts to track Jane down—not only to save her, but also to rescue Europe from Nazi domination. The story is consistently inventive, and the author movingly describes Charley’s bizarre predicament as a combination of ecstasy and torment: “And as much as I wanted to believe that and hold onto her, she would be taken away from me. Sartre could not have created a more awful hell than to be taunted by an unseen force in this way.” However, the plot quickly becomes exasperatingly confusing and convoluted, and despite the author’s evocative prose, the last quarter of the novel ends up feeling like a dutiful chore. 

A marvelously creative but tediously labyrinthine story.

Pub Date: Sept. 3, 2018

ISBN: 978-0-692-16520-1

Page Count: 422

Publisher: The Cider Circle Press

Review Posted Online: Dec. 7, 2018

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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