The gold standard in espionage fiction.
Karma comes calling for a veteran spy.
An eerie prologue set on Dec. 21, 1988, recounts the crash of Pan Am Flight 103 over Lockerbie from the perspective of Gaby, a young American passenger who doesn’t survive. Cut to present-day London, where veteran intelligence officer Lachlan Kite receives a phone call telling him that his childhood friend Xavier Bonnard has killed himself. His phone is being tapped by a cadre of MI5 agents intent on ferreting out the significance of Kite’s involvement with the mysterious Anglo-American intelligence group BOX 88. Though their surveillance is comprehensive, the agents haven't reckoned on Kite becoming the target of a surprise attack, but he's soon kidnapped and thrown into a cell by a group of determined Iranians led by businessman Ramin Torabi. Captivity becomes the catalyst for Kite to engage in a soul-searching reevaluation of his life and career. Going all the way back to Kite’s adolescence, author Cumming lays the groundwork for the moral decisions Kite faces in his intelligence career. The unravelling of the events surrounding Xavier’s suicide is a key component of this painful reminiscence. So are the aftermath of the Lockerbie tragedy and the subsequent shocking secrets surrounding BOX 88. Cumming keeps the suspense high; not only is Kite imprisoned, but his captors are threatening his pregnant wife and their family. The plot—anchored in full-bodied portraits of a small cast of characters confronted with the inescapable way the political and the personal are entangled—is intricate but coherent, taking readers down a chilling road of recent history, vividly depicted. The result is a believable plot undergirded by complex characters and profound questions.
The gold standard in espionage fiction.Pub Date: Jan. 11, 2022
ISBN: 978-1-61316-273-6
Page Count: 400
Publisher: Mysterious Press
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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