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BOX 88

The gold standard in espionage fiction.

Karma comes calling for a veteran spy.

An eerie prologue set on Dec. 21, 1988, recounts the crash of Pan Am Flight 103 over Lockerbie from the perspective of Gaby, a young American passenger who doesn’t survive. Cut to present-day London, where veteran intelligence officer Lachlan Kite receives a phone call telling him that his childhood friend Xavier Bonnard has killed himself. His phone is being tapped by a cadre of MI5 agents intent on ferreting out the significance of Kite’s involvement with the mysterious Anglo-American intelligence group BOX 88. Though their surveillance is comprehensive, the agents haven't reckoned on Kite becoming the target of a surprise attack, but he's soon kidnapped and thrown into a cell by a group of determined Iranians led by businessman Ramin Torabi. Captivity becomes the catalyst for Kite to engage in a soul-searching reevaluation of his life and career. Going all the way back to Kite’s adolescence, author Cumming lays the groundwork for the moral decisions Kite faces in his intelligence career. The unravelling of the events surrounding Xavier’s suicide is a key component of this painful reminiscence. So are the aftermath of the Lockerbie tragedy and the subsequent shocking secrets surrounding BOX 88. Cumming keeps the suspense high; not only is Kite imprisoned, but his captors are threatening his pregnant wife and their family. The plot—anchored in full-bodied portraits of a small cast of characters confronted with the inescapable way the political and the personal are entangled—is intricate but coherent, taking readers down a chilling road of recent history, vividly depicted. The result is a believable plot undergirded by complex characters and profound questions.

The gold standard in espionage fiction.

Pub Date: Jan. 11, 2022

ISBN: 978-1-61316-273-6

Page Count: 400

Publisher: Mysterious Press

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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THE UNKNOWN

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Could making a movie about the disappearance of five women from an island reawaken an evil presence there?

Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Pub Date: Aug. 4, 2026

ISBN: 9798217044092

Page Count: 368

Publisher: Dutton

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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