Dubow’s book is a page turner that skillfully tugs at the heartstrings.

READ REVIEW

INDISCRETION

Dubow crafts an epic novel of friendship, betrayal and undying love. It's a beautifully written debut.  

Walter Gervais is a true gentleman and childhood friend of Harry Winslow’s wife, Maddy, and it’s through his eyes that the story is told. Unobtrusive and playing a rather peripheral role, at least in the beginning, he delivers a balanced and fascinating account of the events that invariably change not only his friends’ lives, but his own. Renowned author Harry and financially independent Maddy are the quintessential New York couple: attractive, socially prominent and undeniably in love. They spend their summers in Maddy’s small house in East Hampton with their son, Johnny, surrounded by a circle of friends. One evening, a beautiful younger woman accompanies her lover to a party at the couple’s house, and she gradually insinuates herself into their lives and becomes a welcomed houseguest. Claire’s attracted to Harry, but he rebuffs her and makes light of the situation, reminding her he’s married and madly in love with his wife. At summer’s end, much to Claire’s disappointment, the Winslows move to Rome for a year so Harry can begin work on his new book. When Harry’s editor summons him back to New York for a meeting with the publishers a couple of months after the move, he runs into Claire at a club, and they engage in a steamy, passionate affair that continues after Harry returns to Rome. Harry’s dilemma is that he loves both women, but he never entertains the thought of leaving his wife. But Maddy eventually discovers the deceit and leaves Harry. She returns to New York with Johnny, and Harry follows. Up to this point, the book has been an entertaining read, but it’s the latter half of the book that really seals the deal. As the couple struggles with the ruins of their relationship, the author chooses to add more unexpected layers to the story that elevate it from run-of-the-mill to outstanding.

Dubow’s book is a page turner that skillfully tugs at the heartstrings.

Pub Date: Feb. 5, 2013

ISBN: 978-0-06-220105-8

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 11, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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