Famine now leads the Four Horsemen of the Apocalypse as they sweep across the planet in volume two of the Millennium Quartet, following the plotlessly sluggish Symphony (1996), which was devoted to Death. This new installment is more subtle than its predecessor, relying more on nuance to suggest the final cataclysm that will be played out in far-off volume four. This time, the story focuses on former CPA-turned-writer John Bannock, now in New Orleans researching a book on mass murderers. Wife Patty and son Joey have left him because of his obsession with this gruesome subject, so the depressed Bannock pursues Lisse Gayle Montgomery, a waitress, to help beat the blues. When her boss fires her, John hires Lisse to type up his interviews. Ghosts of executed interviewees float about him, and a spooky man in a white suit dogs him: Reverend Lanyon Trask, whose eye is on the Antichrist. Meanwhile, Father Chisholm (from Symphony) tells Bannock that they are both men marked by the evil furies. Strange crows with blue eyes abound, and John and Lisse are attacked on a ferry by a famished boy sporting sharpened brass knuckles—a boy who bears an uncanny resemblance to Bannock's son. Food grows short. People riot and die. Do crows attacking humans, and soundless windstorms and thunder out of clear blue skies, portend the end of the world? Has the Antichrist arrived? Is his presence announced by the swollen ranks of mass murderers at loose in the world? What part, exactly, does Rod Gillespie, an escaped serial killer, play in bringing about the end of the ages? As worldwide famine settles in, things begin to look bleak, but not as bleak as when Joey, astride a palomino, turns into the Second Horseman. The Glenn Miller title idea of the Apocalypse being bouncy fun calls for Terry Southern, who is not available. Simply feels ground out.
Pub Date: Feb. 1, 1998
ISBN: 0-312-86277-6
Page Count: 304
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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