by Charles Higham ‧ RELEASE DATE: July 1, 1993
An outing of the billionaire closet bisexual by Higham, whose bios include lives of Cary Grant, Brando, Orson Welles, the Duchess of Windsor, and L.B. Mayer, among others. Higham does his research an injustice by insisting on printing much sexual hearsay as fact (and hinting that Hughes died of an AIDS-like disease), especially since he has done as much homework on Hughes's business and monetary activities as he did on Wallis Windsor and Mayer. The first half of Hughes's life fascinates with his immense network of seductions as he forms one movie company to assuage his voyeuristic needs and buys another to continue them- -while also running Hughes Tool, TWA, and other businesses—and meanwhile breaking an around-the-world aircraft speed record and building the gigantic Spruce Goose military transport (a white elephant of no use whatsoever). This is all before his psychic collapse into fear of large-scale germ warfare via Kleenex, a mental illness that Higham suggests Hughes picked up from his mother, a monumental cleanliness nut. As for the bisexual hearsay, Higham says he got it from Lawrence Quirk, nephew of Photoplay publisher James Quirk, who got it straight from Hughes's bisexual uncle Rupert Hughes, who got it from Hughes himself during a confessional outpouring. Higham says that Hughes's ``sexual partners were not so much lovers as hostages, prisoners or victims of his will; he had to dominate in everything.'' The author tells of Hughes's descent into Hollywood S&M, and as for his news about Hughes paying off Hubert Humphrey and Richard Nixon: It may not be new, but it comes strongly documented. The recluse's last years are...ripe—he even takes to storing his urine in Mason jars. Undeniably a hypnotic portrait of a great American monster.
Pub Date: July 1, 1993
ISBN: 0-399-13859-5
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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