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BUTCH CASSIDY

THE TRUE STORY OF AN AMERICAN OUTLAW

Perhaps the most successful of the frontier outlaws, Cassidy receives an entertaining and likely definitive account.

A lively, necessarily speculative biography of the notorious desperado.

Journalist Leerhsen, former executive editor of Sports Illustrated, correctly points out that while the hit 1969 movie Butch Cassidy and the Sundance Kid, starring Paul Newman and Robert Redford, made Butch Cassidy’s (1866-1908) name familiar to most readers, Cassidy and his circle did not often put pen to paper, so contemporary evidence consists largely of legal documents, police reports, and newspaper accounts of his crimes. Modern biographers often fill the gaps with fiction, personal theories, or highly suspicious memories from Cassidy’s descendants, and movies muddy the water with a romantic portrait of life on the frontier when in fact it was usually miserable. The eldest of 13 children of a hardscrabble rancher, Cassidy had his first brush with the law at age 12, and he left home permanently just before he turned 18 to take up a life of crime. “Crime” on the frontier mostly involved stealing cattle or horses; it was rarely lucrative, and Cassidy regularly worked as a ranch hand to make ends meet. After years of low-paid labor, petty thievery, a prison term, and companions with similar loose morals, added to a talent for leadership, he took up a full-time life of crime, and newspapers happily recorded a series of spectacular bank and train robberies. This spree lasted only a few years before advancing technology and the end of the frontier made this life too risky. No psychopath like Billy the Kid or Jesse James, Leerhsen’s Cassidy is likable and mostly sensible. He escaped to Argentina in 1901 with considerable cash and a companion (the Sundance Kid, a more shadowy figure). For several years, they apparently worked as honest ranchers but returned to robbery in 1905, when they “dropped any pretense of being law-abiding citizens.” They moved to Chile and Bolivia, where, cornered by soldiers in 1908, they probably committed suicide, an event absent from the movie.

Perhaps the most successful of the frontier outlaws, Cassidy receives an entertaining and likely definitive account.

Pub Date: July 14, 2020

ISBN: 978-1-5011-1748-0

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: April 21, 2020

Kirkus Reviews Issue: May 15, 2020

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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  • New York Times Bestseller

The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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