A well-written, often poetic memoir that nevertheless fails to fully live up to its initial promise.

FIRE SHUT UP IN MY BONES

A MEMOIR

New York Times columnist Blow’s hardscrabble memoir about growing up poor and black in rural Louisiana.

It’s safe to say that debut memoirist Blow made his bones as a newspaper journalist in quite a different fashion than most of his peers at the stately Grey Lady. Brought up in dirt-poor Gibsland, Louisiana., he worked his way from being an intern at the tiny Shreveport Times to eventually, by age 25, a graphics editor at the New York Times and a columnist soon thereafter. But this memoir isn’t about his professional development as much as the psychosexual and emotional roller-coaster ride of his upbringing. Especially in the first half, Blow masterfully evokes the sights, sounds and smells of rough-and-tumble, backwater Louisiana. His portrait of his tough-as-nails mother—who raised five children on the wages from her poultry-plucking job and, at one point, shot her husband for cheating—is almost larger than life. But eventually we get to the crux of the memoir and the event in his young life that would understandably have serious psychological repercussions for years to come: being sexually molested by his cousin. When Blow moves on to his more conventional university life at Grambling State, a historically black college in his home state, readers begin to lose a sense of what made the memoir so original and compelling up to that point. The author still found himself in a struggle for both personal and sexual identity in college, but his experiences with hazing as a confused fraternity pledge, as trying and traumatic as they certainly were, don’t seem that far removed from the coming-of-age experiences of millions of other working-class university students.

A well-written, often poetic memoir that nevertheless fails to fully live up to its initial promise.

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-22804-7

Page Count: 240

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 21, 2014

Kirkus Reviews Issue: July 15, 2014

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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