Buy tissues. Tears will flow.
Katie Quinn learns "[l]ife in the spotlight, on the pedestal, at the top of the world was a lonely, singular, desolate, soul-killing place" in Martin’s (Thunder and Rain, 2012, etc.) latest.
Katie’s an actress. Think Streep’s talent and Jolie’s beauty. Katie’s also burdened with near-unbearable pain. A performer able to subsume herself into character, Katie’s being destroyed—too much work, too many demands, too many prescription drugs, too many men too ready to use her. That means three ex-husbands and a biographer, a writer who deceives her and then publishes a lie-filled tabloid-headlining book. Katie has one true friend, Steady, an elderly Catholic priest. After suicide attempts and failed rehab, Katie has offered a troubling confession. Father Steady is apprehensive. He turns to another lost soul for help, a friend he calls Sunday, a man with his own dark secret. Setting his novel in Miami and Florida’s Ten Thousand Islands, Martin sends Sunday and Steady to rescue Katie as she attempts to hang herself. They spirit her away to Sunday’s home, a refurbished fishing trawler anchored at the Everglades’ edge. Pampered and spoiled, angry and depressed, Katie’s resentful at first and then intrigued when Sunday offers an escape through the "third door"—a faked death, a path with which he’s familiar. Martin then private-jets the story to France and Château de Langeais, where chameleon Katie is living another life under another identity. There, as Katie grows slowly to trust Sunday, she opens herself emotionally but then collapses and rejects him after revealing her bleakest secret. Her repudiation is the catalyst inspiring Sunday to reveal his own troubled history with success and fame, allowing Katie and Sunday to discover "[a]ll hearts have but one request. To be known." The novel stumbles over a minor plot hole or two, but there are orphans, pilgrimages to a children’s hospital and other calamities as Martin’s story charges headlong into the sentimental territory—and best-seller terrain—of The Notebook, which doubtless will mean major studio screen treatment.
Buy tissues. Tears will flow.Pub Date: May 7, 2013
ISBN: 978-1-455-50395-7
Page Count: 336
Publisher: Center Street/Hachette
Review Posted Online: June 2, 2013
Kirkus Reviews Issue: June 15, 2013
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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