A gruesome ordeal unredeemed by wit or much drama.
Defying her powerful father, a husband honors his dying wife’s wish for a wilderness canoe trip, in Christian-fiction author Martin’s secular debut (When Crickets Cry, 2006, etc.).
Doss Michaels, raised poor in a Georgia trailer park, is a starving art student working and living in a cold-water studio in Charleston, S.C. When he rescues supermodel Abbie, daughter of upper-crust Charlestonian Senator Coleman, from a boardwalk thug, she visits Doss’s studio and makes him her personal gentrification project. Abbie and Doss, both 21, marry in a civil ceremony, alienating her father and stepmother. Abbie becomes a successful interior designer, eclipsing her father’s fame, at least among Charleston’s elite. Doss’s decor-friendly paintings also take off. Abbie leads Doss on a grand world tour of museums where he’s exposed to Renaissance work he’d only seen in art books. After ten years of marriage, while visiting New York City, the couple is horrified when a lump in Abbie’s breast is discovered. Four years of “slash, poison and burn” cancer therapy leave Abbie a mutilated, desiccated remnant of her former self, but with her indomitable spirit intact. Sentenced to hospice, she urges Doss to take her down the St. Mary’s River, where Doss once worked as a guide. Equipped with two canoes, one for supplies including a stolen cache of sophisticated opiates, they embark on Abbie’s final to-do list: ride a merry-go-round, sip umbrella drinks on a beach, etc. They narrowly escape ambush by four psychopathic rednecks right out of Deliverance. Further downriver, after Doss and Abbie encounter a friendlier group of classic-rock-loving, beer-swilling biker types, the bad rednecks return to a deserted boathouse where the duo has sought shelter. In a sensationally off-putting scene, the thugs discuss whether to rape Abbie, and Doss, this time, can’t intervene. Considerable longueurs result from much nature gazing on the river, and the least stereotypical character, Bob, a crop-dusting defrocked priest, appears too briefly.
A gruesome ordeal unredeemed by wit or much drama.Pub Date: July 15, 2008
ISBN: 978-0-7679-2698-0
Page Count: 384
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2008
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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