Deep schmaltz in the Bible Belt.
Christian-fiction writer Martin (The Dead Don’t Dance, not reviewed) chronicles the personal tragedy of a Georgia heart surgeon.
Five years ago in Atlanta, Reese could not save his beloved wife Emma from heart failure, even though the Harvard-trained surgeon became a physician so that he could find a way to fix his childhood sweetheart’s congenitally faulty ticker. He renounced practicing medicine after her death and now lives in quiet anonymity as a boat mechanic on Lake Burton. Across the lake is Emma’s brother Charlie, who was rendered blind on the same desperate night that Reese fought to revive his wife on their kitchen floor. When Reese helps save the life of a seven-year-old local girl named Annie, who turns out to have irreparable heart damage, he is compassionately drawn into her case. He also grows close to Annie’s attractive Aunt Cindy and gradually comes to recognize that the family needs his expertise as a transplant surgeon. Martin displays some impressive knowledge about medical practice and the workings of the heart, but his Christian message is not exactly subtle. “If anything in this universe reflects the fingerprint of God, it is the human heart,” Reese notes of his medical studies. Emma’s letters (kept in a bank vault) quote Bible verse; Charlie elucidates stories of Jesus’ miracles for young Annie; even the napkins at the local bar, The Well, carry passages from the Gospel of John for the benefit of the biker clientele. Moreover, Martin relentlessly hammers home his sentimentality with nature-specific metaphors involving mating cardinals and crying crickets. (Annie sells crickets as well as lemonade to raise money for her heart surgery.) Reese’s habitual muttering of worldly slogans from Milton and Shakespeare (“I am ashes where once I was fire”) doesn’t much cut the cloying piety, and an over-the-top surgical save leaves the reader feeling positively bruised.
Deep schmaltz in the Bible Belt.Pub Date: April 4, 2006
ISBN: 1-5955-4054-7
Page Count: 320
Publisher: WestBow/Thomas Nelson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
None of the characters shine enough to inspire or enlighten readers.
A tale of several generations of women cursed to love men who love other women.
As the book opens, Gabriela Siton relates the story of her mother Luna’s death, and in describing her final year, Yishai-Levi, a journalist and nonfiction author, captures the family dynamic and lays out the drama—Luna doesn’t get along with Gabriela; she’s unhappy with her husband, David; she didn’t get along with her mother, Rosa; and all this has left Gabriela at loose ends. Gabriela seeks answers from her Aunt Allegra in Tel Aviv, trying to understand the family “curse,” and then the book shifts mostly to Rosa’s and Luna’s viewpoints. It abruptly shifts back in the end to Gabriela’s, skipping over years, when earlier, the narrative plodded slowly through days. There are so many characters that we only get a brief look at some of them, and so many disappointments and heartbreaks that they begin to lose their impact. Ordinary lives can be made beautiful, but when they belong to characters who are either unsympathetic or rudimentary, they are rendered ineffective. The characters’ faith, which influences so many of the important decisions in their lives, mostly comes across as routine, habit, or even superstition. Some of the characters become involved in the struggle for modern Israel, and their political fervor is similarly underdeveloped.
None of the characters shine enough to inspire or enlighten readers.Pub Date: April 5, 2016
ISBN: 978-1-250-07816-2
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
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