Former spook McCarry remains at the top of his game.
McCarry (The Miernik Dossier 2005, etc.) takes the story of his recurring master spy Paul Christopher back to its wildly romantic beginning.
The only child of a blue-blooded American novelist and his bluer-blooded Prussian wife, handsome 16-year-old Paul is pleasantly aware that he is of interest to an equally handsome dark-haired girl of the same age, who also comes to Berlin’s Tiergarten. Not having been introduced, he has taken to calling her Rima, after the character in W.H. Hudson’s Green Mansions. Their meeting is anything but cute. In the last days before the war, young Paul stands up to a squad of Hitler Youth in the park, breaks the nose of the squad leader and is brutally beaten for his rash behavior. He is comforted by the girl, who takes him to her father, a once prominent Jewish physician now only allowed to treat other Jews. The patched-up Paul and the solicitous Rima fall headlong in love and begin an affair that is aided by the absent-mindedness of Paul’s father Hubbard and the morning absences of his mother Lori. But they have attracted the attention of Major Stutzer, a loathsome Gestapo official whose all-powerful master, Reinhard Heydrich, fancies Paul’s beautiful mother. Complicating matters, Hubbard and Lori have been using their family connections and their yacht to smuggle Jews out of the Reich, treachery of which the Gestapo is quite aware. As Stutzer’s sadistic bullying of the young couple gets rougher, the Christophers realize Paul must be ferried out of Germany while his American passport can still help him. But they have not reckoned with the sweep of young love, nor have they quite appreciated the stubbornness of their handsome young son. When the ill-fated affair comes to its climax, McCarry jumps to the hairiest days of the Cold War in the now-divided Berlin, where Christopher has joined the world of spies.
Former spook McCarry remains at the top of his game.Pub Date: May 15, 2007
ISBN: 1-58567-914-3
Page Count: 272
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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