Murray’s answers are bound to set the walls of the academy and the halls of the learned journals ringing with rebuttals. But...

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HUMAN ACCOMPLISHMENT

THE PURSUIT OF EXCELLENCE IN THE ARTS AND SCIENCES, 800 B.C. TO 1950

Yes, human societies really do evolve for the better—thanks to the technologies, ideas, and other contributions of scads of mostly dead white European males.

Never let it be said that Murray (What It Means to Be a Libertarian, 1997, etc.), co-author of the hotly debated Bell Curve (not reviewed), shies from controversy. His overarching thesis will attract gainsayers from the outset, especially among the cultural relativists whom he takes great pains to twit throughout his long—but eminently readable, and often entertaining—discussion. (“Assessing the comparative contributions of the Greeks and Aztecs to human progress,” he observes by way of an opening shot, “is not a choice between equally valid constructions of reality.”) Cultural and intellectual historians of a certain bent may find more troubling Murray’s rationale for identifying those who have really made a difference in shaping the ways in which the civilized world thinks, works, and lives: his method resembles that of a search engine in ranking artists, musicians, writers, scientists, and other assorted thinkers and makers by the number of “hits” they earn in standard surveys of the literature. Michelangelo is thus the world’s premier artist because he figures most heavily in the indexes of art surveys—but, Murray rejoins, “Shakespeare gets more attention that everyone else because Shakespeare wrote better than everyone else.” Setting aside the question of whether intellectuals, like Hollywood types, can be famous merely for being famous—one manifestation of the Google effect—Murray’s overview of the progress of art and science is engaging, user-friendly, and even self-effacing. (He allows that while he doesn’t enjoy the later works of Henry James, his wife does, “and over the years I have had to accept that I don’t know what I’m talking about.”) Murray wrestles with Big Questions: What kinds of social conditions favor the arts? Why did London emerge as a world center, while Hangzhou did not? Why are Western philosophers more important than, say, their Asian counterparts, pound for pound? Why have women been so poorly represented for so long in the inventories of culturally important figures?

Murray’s answers are bound to set the walls of the academy and the halls of the learned journals ringing with rebuttals. But readers who took pleasure in Jacques Barzun’s From Dawn to Decadence are sure to enjoy his arguments and elegant presentation.

Pub Date: Nov. 1, 2003

ISBN: 0-06-019247-X

Page Count: 688

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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A clear and candid contribution to an essential conversation.

SO YOU WANT TO TALK ABOUT RACE

Straight talk to blacks and whites about the realities of racism.

In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”

A clear and candid contribution to an essential conversation.

Pub Date: Jan. 16, 2018

ISBN: 978-1-58005-677-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Oct. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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