Palliser (The Sensationist, 1991, etc.) has found a new voice- -or rather a dozen of them—in this razzle-dazzle Chinese box of reflexivity. Reading from the top, there's a grimly satisfied Daily Scot obituary for a distinguished scientist; a mini-Decameron in which three passengers on a snowbound train trade tales en route to the mysterious death of one of their number; a reader's report on a fledgling novelist's attempt to mix hospital romance with serial murder; a tale of revolving-door intrigue among an impenetrable French thinker's epigones; two tales of a cuckold's revenge, one fake-Arabian Nights, one back in modern Britain. The real point of Palliser's novel, however, is the convoluted net of cross- references that bind the ten stories together not only in the thematic terms announced by his title (romantic triangles, literary sycophancy, and plagiarism head the list of betrayals), but also in terms of wildly unlikely echoes of character functions, names, and secrets. For instance, the three storytellers of Chapter 2 turn up in preposterous new roles in Chapter 7, and the scientist memorialized in the opening pages can't rest in peace until he's tied into an over-the-top murder yarn at the very end. Along the way, Palliser deftly parodies deconstructionist criticism, the middlebrow style of Jeffrey Archer, three different pulp genres, perhaps the most obtuse serial killer's diary in fiction, countless historical takes on Jack the Ripper—and, inevitably, his own professional anxieties, as dramatized by (among others) Cyril Pattison, the fictional author of the fictional novels, Quintessence and The Sensation Seeker (see Palliser's Quincunx, as well as The Sensationist). A good time is had by all, even if the plots, individually and collectively, never snap shut as satisfyingly as you'd like or expect. Palliser has produced a lark, a romp, an overripe encyclopedia of nonsense bound to appeal to the sort of literary gameplayers who'll find their own likenesses prominently displayed herein.
Pub Date: Jan. 1, 1995
ISBN: 0-345-36959-9
Page Count: 368
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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