Engaging leap-of-faith answers to the big questions.
Entrepreneurial advice and astonishing tales from a tire company founder and pitchman retracing his spiritual journey.
Charles “Chuck” Curcio first made his mark starring in his own late-night television commercials for Tire Kingdom, the highly successful South Florida–based company he built from scratch. The inventive musical parodies and his colorful personality have achieved near-cultish adoration; the ads are still viewable on YouTube. But in this cosmological autobiography, Curcio says he always had other talents, particularly as a healer and psychic. One October morning in 1995, his life changes forever when he pauses beneath a banyan tree while riding a golf cart across his 10-acre Jupiter Island oceanfront estate. From out of the blue—and out of the author’s own mouth—God speaks to him, asking if he is ready to fulfill his purpose as a divine servant. It’s the dawning of a new day, as referenced in the title. So, Curcio embarks on a fantastic—arguably a bit too fantastic—journey of metaphysical discovery that, he says, is now more open than ever for all humanity to join. His path leads him to the Great Pyramid in Egypt to the healers and channelers of Brazil and elsewhere, and ultimately to Delphi University of Spiritual Studies in Georgia, where he’s a director and teacher. Along the way, he leaves his wife and children for his teacher and soul mate, a striking blonde with exceptional psychic credentials whose entry into Curcio’s life had been foretold to him. Curcio doesn’t merely believe in what the earthbound would call miracles; he witnesses and performs them frequently and even suggests that his healing work extends to curing the gravely ill and raising the dead. A chapter entitled “Signs and Wonders” begins with the author’s bare back to the sun as he absorbs what he calls the Christ energies, “which many believe emanate from the Sun.” This spiritualist path will be a revelation to the uninitiated, as will many of the book’s other esoteric, believe-it-or-not pronouncements. Gratuitously over-the-top asides may further raise doubts about the veracity of the whole. In one example, Curcio says he can send love over telephone lines, such that loved ones on the other end feel their receivers warming from the abundance of love energy. The latter part of the book is pure Christian–Eastern mystic theology, where explanations of reincarnation and karma appear to show clear understanding of these theories. Why did God come out of the void in the first place? As He tells Curcio, “Charles, I just couldn’t contain my Self.”
Engaging leap-of-faith answers to the big questions.Pub Date: May 30, 2012
ISBN: 978-0578105567
Page Count: 222
Publisher: Delphi University Press
Review Posted Online: Sept. 7, 2012
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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