A poignant and compelling narrative of a boy’s search for connection and meaning.
A boy encounters hostility and hope in Tabb’s debut coming-of-age novel.
It’s 1990 when Jack Turner returns, after a long absence, to his coastal hometown of Denton, Florida, to attend a funeral. He reflects on pivotal events in the summer of 1968, just before he turned 13. As the younger son of two alcoholics, Jack was mostly resigned to the fact that his parents neglected him. When Jack and two friends found a starving dog, he decided to adopt him on the spot, calling him Bones. He convinced his dad to let him keep the pet, but there was a high price, as his dad demanded the boy pay him rent to do so. Jack’s determined efforts to care for Bones brought him into conflict with local boys, who beat Jack up after he undercut the going rate for cleaning fish for tourist anglers. Jack was befriended by troubled World War II veteran Hank Pittman, who lived in a broken-down school bus and offered him work fixing up the bus. Hank also urged eccentric local widow Mary Jane Dawson to hire Jack to do some yardwork. Soon, however, malevolent gossips wrongfully accused Hank of abusing the boy, which led to a suspenseful trial. Tabb, a former middle and high school English teacher, grew up in the Florida Panhandle, and his depiction of that landscape lends authenticity to the small-town setting. The shadow of war hovers in the background, both in Hank’s past and in the present of Jack’s older brother, who’s away in military training. At times, the novel pits its heroes against one-dimensional villains, but Jack’s voice feels authentic throughout. Although the character’s devotion to Bones propels the action, Tabb never allows the narrative to become a sentimental boy-loves-dog story. The scenes between Jack and his father are particularly effective in revealing the desperate nature of the protagonist’s family situation. The expressive prose shines brightest, however, when it focuses on Jack’s determination to live up to the trust that Hank and Mary have placed in him.
A poignant and compelling narrative of a boy’s search for connection and meaning.Pub Date: July 31, 2018
ISBN: 978-1-72210-439-9
Page Count: 396
Publisher: CreateSpace
Review Posted Online: June 4, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
PROFILES
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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