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TWENTY YEARS LATER

An entertaining thriller with often unrelated surprises lurking around every corner up to the final anticlimax.

Twenty years after an accused murderer’s initial meeting with her attorney is cut short by the 9/11 attack, a shocking discovery reopens the case, and several other mysteries as well.

The circumstantial evidence that Victoria Ford whipped and choked and hanged her lover, bestselling author Cameron Young, was strong, the forensic evidence even more damning. Nonetheless, Roman Manchester was poised to take on her defense when the attack on the World Trade Center, where he had his office, rendered the whole case moot. When a bit of bone extracted from the wreckage 20 years later is finally identified as Victoria’s, ambitious American Event anchor Avery Mason, avid for a big story that will strengthen her hand as she bargains for a new contract, envisions the ratings she’ll get from retelling the story, which features Cameron’s then-pregnant wife, professor Tessa Young; the abortion that prevented Victoria from having any more children; a ghoulish murder scene; and a lurid sex tape. Walt Jenkins, who handled the investigation back in 2001, comes out of retirement in Jamaica to help Avery, little knowing that she has another, more deep-laid motive for her sudden burning interest. For her part, Natalie Ratcliff, the wealthy college friend Victoria hoped would help her pay Roman Manchester’s enormous bill, is hiding a secret of her own. So many parties to the new investigation are hiding so many secrets, in fact, that when the big reveal finally comes, it seems both utterly logical and somehow beside the point of whatever the larger pattern might be.

An entertaining thriller with often unrelated surprises lurking around every corner up to the final anticlimax.

Pub Date: Dec. 28, 2021

ISBN: 978-1-4967-2716-9

Page Count: 304

Publisher: Kensington

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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ALL THE COLORS OF THE DARK

A grim theme with a compelling and complex plot.

A one-eyed boy becomes a monster’s prey in this chilling tale of missing children.

Thirteen-year-old Missouri boy Joseph “Patch” Macauley was born with one eye, so he wears an eye patch and imagines himself a pirate. In 1975, he sees a masked man assaulting a girl in the woods. He attacks the man and saves her, but the predator kidnaps him instead. Patch eventually wakes in total darkness in a cellar where a different girl secretly visits him, heard but always unseen. He learns that her name is Grace and that there have been other girls down there before. Grace paints vivid word pictures of the places she’s seen and of stories by authors like Steinbeck. “Pray and stay alive,” she whispers to Patch. Eventually he escapes, but she is nowhere to be found. Searching for Grace is the underlying thread in a complicated quest that takes unexpected turns over the years and might well bring heartbreak. Meanwhile, the bodies of three girls turn up locally, and their parents grieve. Is the town doctor responsible for their deaths? A local school photographer? Both? Patch paints an image of Grace based only on what he’d heard from her in the cellar; then come more paintings and displays in an art gallery—an implausible achievement for an untrained artist. Meanwhile, Grace may be anywhere, and he must find her whether alive or dead. By now an adult, he “pinball[s]” from state to state, meeting with “a dozen families looking for a dozen lost girls.” To sustain himself he robs banks with an unloaded flintlock, and he shares his loot with organizations that are looking for missing children. He has “reasoned the truest proof of life [is] pain,” and he vows that he will die before he quits his search. This is much more than a whodunit, though it fills that bill well. It is also a richly layered tale of love, loss, and hope.

A grim theme with a compelling and complex plot.

Pub Date: June 25, 2024

ISBN: 9780593798874

Page Count: 608

Publisher: Crown

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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