More angst than action, more internal conflict than outright adventure, yet an intriguing examination of people and a place...
Meg Mogrin tries to do the right thing, something she’s failed at once before, as she’s dragged into clashes between homeless people and business interests in Grand Junction, Colorado.
Meg once taught. Then her sister was murdered by Neulan, a serial killer who escaped arrest. Then Neulan died in a fall. Meg and her husband, Brian, were involved. Meg’s moral center shifted, and her marriage collapsed. Burdened by guilt, she left teaching for real estate. Still plagued by guilt, she does penance by devoting energy to a local organization, the Homeless Coalition. Now her friend Eve Winslow, the city's mayor, and other major players are subtly hinting that Meg should help displace the homeless from the scrubland where they've been living to secure a location for a multimillion dollar project, the Betterment Longevity Institute. In narrative threads ebbing and flowing, a lot happens: Betterment’s smarmy Lew Hungerman wants to sleep with Meg and use her to roust the homeless; a brilliant homeless man, Isaac Samson, discovers a clue to Neulan’s death; Pandora Cox, an edgy teen who earned a scholarship sponsored by Meg, instead heads for the North Dakota oil fields with her controlling boyfriend. Quimby’s (Monument Road, 2013, etc.) descriptions of Colorado’s high country show a painterly flare, and he offers keen insights into human dynamics—as when Meg meditates on a man’s "power of denial and condescension." Quimby also writes powerfully of marriage and its meaning, as Meg and Brian, doing his own penance at an isolated reservation, dance quietly toward reconciliation. The opening two-thirds of the story reads as a complex setting of scene and circumstances, but then Quimby charges toward an emotionally satisfying conclusion.
More angst than action, more internal conflict than outright adventure, yet an intriguing examination of people and a place in transition.Pub Date: Oct. 11, 2016
ISBN: 9781937226671
Page Count: 345
Publisher: Torrey House Press
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Aug. 15, 2016
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.
A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.
Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.Pub Date: June 7, 2016
ISBN: 978-1-101-94713-5
Page Count: 320
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
PROFILES
SEEN & HEARD
A little-known story that will have special resonance for today’s resisters.
Based on an actual incident in Nazi-occupied Belgium, Ramzipoor’s debut is a tragicomic account of fake news for a cause.
Structured like a heist movie, the novel follows several members of a conspiracy in Enghien, Belgium, who have a daring plan. The conspirators do not intend to survive this caper, only to bring some humor—and encouragement for resisters—into the grim existence of Belgians under Nazi rule. To this end, the plotters—among them Marc Aubrion, a journalist and comic; David Spiegelman, an expert forger; Lada Tarcovich, a smuggler and sex worker; and Gamin, a girl masquerading as a male street urchin—intend to...publish a newspaper. And only one issue of a newspaper, to be substituted on one night for the regular evening paper, Le Soir, which has become a mouthpiece for Nazi disinformation. Le Faux Soir, as the changeling paper is appropriately dubbed, will feature satire, doctored photographs making fun of Hitler, and wry requests for a long-overdue Allied invasion. (Target press date: Nov. 11, 1943.) To avoid immediate capture, the Faux Soir staff must act as double agents, convincing (or maybe not) the local Nazi commandant, August Wolff, that they are actually putting out an anti-Allies “propaganda bomb.” The challenge of fleshing out and differentiating so many colorful characters, combined with the sheer logistics of acquiring paper, ink, money, facilities, etc. under the Gestapo’s nose, makes for an excruciatingly slow exposé of how this sausage will be made. The banter here, reminiscent of the better Ocean’s Eleven sequels, keeps the mechanism well oiled, but it is still creaky. A few scenes amply illustrate the brutality of the Occupation, and sexual orientation works its way in: Lada is a lesbian and David, in addition to being a Jew, is gay—August Wolff’s closeted desire may be the only reason David has, so far, escaped the camps. The genuine pathos at the end of this overdetermined rainbow may be worth the wait.
A little-known story that will have special resonance for today’s resisters.Pub Date: Aug. 27, 2019
ISBN: 978-0-7783-0815-7
Page Count: 544
Publisher: Park Row Books
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
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