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MAN OF WAR

MY ADVENTURES IN THE WORLD OF HISTORICAL REENACTMENT

An entertaining read. The companionable author’s gimlet eye rarely misses the absurd or touching incidents he encountered...

An amusing and insightful memoir about the wacky world of historical reenactments.

Living in Los Angeles, the past was never a subject that writer, radio producer and actor Schroeder spent much time thinking about, preferring to immerse himself in the never-ending stream of current events and activities of modern life. However, his perspective changed after attending the “largest multicultural living history event west of the Mississippi,” which featured 75 groups including Romans, Vikings and Civil War and Revolutionary War soldiers. “I found it fascinating to learn about history in a three-dimensional, interactive way,” writes Schroeder. “To ask questions of people who loved a time period so much they felt compelled to dress like one of its inhabitants.” The author’s curiosity extended to the “vibrant, eccentric subculture” of the reenactment world and feeling what participants describe as the “period rush”—the “sensation that you’ve traveled back in time.” During his travels, Schroeder lit a canon at an old fort during a reenactment of a French and Indian War battle; helped row a large wooden boat down the St. Lawrence River in an attempt to experience life in the 1700s; dressed up like a Nazi; volunteered to be a radio operator in a Vietnam war game; and reenacted the Civil War in Florida. After traveling thousands of miles, reenacting more than 10 time periods and reading dozens of books on the subject—he even staged his own historical reenactment in Los Angeles—Schroeder realized he knew less about war but more about history and contemporary America.

An entertaining read. The companionable author’s gimlet eye rarely misses the absurd or touching incidents he encountered during his explorations.

Pub Date: May 24, 2012

ISBN: 978-1-59463-091-0

Page Count: 288

Publisher: Hudson Street/Penguin

Review Posted Online: April 21, 2012

Kirkus Reviews Issue: May 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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