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THE RESURRECTION OF JOAN ASHBY

From the start, one wonders how Wolas is possibly going to pay off the idea that her heroine is such a genius. Verdict: few...

A literary prodigy allows her husband to convince her to reverse their decision not to have children.

Can you be a mother and also be an artist—or, by extension, pursue any serious ambition at all? This is the question taken up with urgency and all due complexity in lawyer and film producer Wolas' debut novel. The book opens with a hugely laudatory magazine profile of a fictional writer named Joan Ashby, revealing that at age 13 Ashby articulated nine rules for herself. No. 7 was “Do not entertain any offer of marriage,” and No. 8 was “Never ever have children.” Then, the article explains, after having taken the world by storm with two story collections, Ashby got married and became pregnant at 25—and that was the last she was heard from for nearly three decades. After revealing this much, and providing reprints of two of Ashby’s famous stories, the article cuts off with this line: “Continued after the break.” The “break” is a 500-plus–page narrative exploring Ashby’s struggles during these decades. It’s a tribute to Wolas’ plot that most of it cannot be decently revealed. And heaven knows, a book this big needs its plot. Wolas provides not only the main story, but several more excerpts from Ashby’s work. Maybe she goes a little too far with these digressions, but even in a scene where Ashby is teaching a writing class and the first lines of a dozen student stories are included—they're all great first lines! Like John Irving’s The World According to Garp, this is a look at the life of a writer that will entertain many nonwriters. Like Lauren Groff’s Fates and Furies, it's a sharp-eyed portrait of the artist as spouse and householder.

From the start, one wonders how Wolas is possibly going to pay off the idea that her heroine is such a genius. Verdict: few could do better.

Pub Date: Aug. 29, 2017

ISBN: 978-1-250-08143-8

Page Count: 544

Publisher: Flatiron Books

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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