A touching, heartfelt, and amusing book that provides a wonderful personal perspective on a period of historical and...
A white Southerner describes his teenage journey to racial tolerance in this debut coming-of-age autobiography.
Attorney Isom grew up and attended college during the 1950s and ’60s in Birmingham, Alabama—a city that was home to some of the most notorious racism of the civil rights era, peaking in 1963 with Commissioner of Public Safety Bull Connor’s violent enforcement of segregation and a church bombing that killed four black children. That backdrop makes Isom’s personal story even more remarkable. As a teenager, he was fired up by the racist views of his society, particularly those of famous segregationist and Klansman Asa Carter, after the U.S. Supreme Court’s Brown v. Board of Education decision in 1954. However, he was slowly swayed the opposite way by the kindness and “question everything” philosophy of the Millers, two Yankee transplants on his paper route. It’s an iconic, real-life struggle, as Isom made a moral choice between the devil and the angel on his shoulders. His memoir also features an intriguing subplot regarding his father, Hewlett Chervis Isom Sr., a kind man who was once sickened by having to kill a chicken for dinner; he questioned his own prejudice, too, like his son, but he couldn’t quite make the leap that the author did. Some passages will flesh out readers’ understanding of bus segregation by detailing the elder Isom’s experiences as a Greyhound driver. One tends to think that Rosa Parks protested, African-Americans boycotted, and bus segregation ended—but readers soon learn that the reality was more complicated than that. Other childhood memories, unrelated to Isom’s internal struggles, will also keep readers’ attention, such as a time on his paper route when he encountered a customer that would make Blanche DuBois seem like a model subscriber.
A touching, heartfelt, and amusing book that provides a wonderful personal perspective on a period of historical and cultural change.Pub Date: N/A
ISBN: 978-1-940524-03-0
Page Count: 359
Publisher: The Working Writers
Review Posted Online: Feb. 16, 2015
Kirkus Reviews Issue: March 15, 2015
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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