A delightful tale that is likely to be a perennial first at storytime.
A collage of new experiences right from the first of the year.
A young girl with beige skin and straight, brown hair wakes up to the first day of the new year. Thus follows a parade of the year’s firsts—waffles, new umbrella, snowfall, fight with her brother (a recurring theme that compounds exponentially as the year goes on), and more. Klein’s simple, understated text effectively and poignantly paints a world of hilarity mixed with drama (“First crush”; “First missed bus”; “Second lost umbrella”). Shown in both vignettes and full-page art, Leng’s soft watercolor palette is punctuated by the characters’ evocative expressions that add to the emotional depth of the book. While books about the seasons are a familiar sight on shelves, this fresh twist offers young readers a glimpse of important moments in a child’s year—moments that add up to a wealth of experience and anticipation of firsts still to come. At times, the “first” motif slips slightly. These experiences are meant to occur within one year, so readers may wonder at “First giving” and “First getting” at the end of the year in winter (no birthdays?); or, for that matter, more than one mask (“First new mask”) at Halloween. However these are minor quibbles in an otherwise satisfying read. The endpapers are worth poring over, done in a scrapbook style. (This book was reviewed digitally with 10.5-by-21-inch double-page spreads viewed at actual size.)
A delightful tale that is likely to be a perennial first at storytime. (Picture book. 4-7)Pub Date: Dec. 8, 2020
ISBN: 978-1-4197-4208-8
Page Count: 40
Publisher: Abrams
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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