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SIGHTS I LOVE TO SEE

From the I Love to series

A bright and bubbly outing with an infectiously cheerful protagonist.

A brown-skinned girl with straight, black hair who lives in what looks to be the American Southwest lists the “wonderful sights I love to see.”

From rainbows and clouds to birthday-cake candles and jelly beans, the unnamed narrator celebrates what she sees. Most are natural phenomena—dewdrops, an earthworm, flowers in spring—but other choices reveal an imaginative bent: “Reflections in a silver spoon. / The man who’s winking in the moon.” Freeman places Hudson’s narrator in a desert landscape with saguaros and weathered buttes. One quietly dramatic double-page spread depicts the narrator from above as she crouches on the parched earth, studying “An army of ants on the move. / A blade of grass in a sandy groove.” Given this concrete sense of place, the abrupt transition from one page to an ocean beach and from another to the unlikely image of snowflakes drifting down onto the desert from a partly cloudy sky are incongruous. The child’s specific ethnicity is not provided, but an image of the narrator’s brother hiding behind an earthenware jar and another of the child with an adult, both wrapped in a bright, woven blanket, hint at an indigenous heritage. A further image of the child in a thoroughly modern bathtub makes clear that this child and her family are thriving in the present day. Series companion Friends I Love to Keep, by Wade Hudson and also illustrated by Freeman, publishes simultaneously and depicts an energetic black girl in a comfortable, middle-class setting with a multiracial group of friends.

A bright and bubbly outing with an infectiously cheerful protagonist. (Picture book. 3-5)

Pub Date: May 1, 2017

ISBN: 978-1-60349-009-2

Page Count: 24

Publisher: Marimba Books

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THE CRAYONS LOVE OUR PLANET

A droll exploration of color and nature—and a welcome reminder to safeguard our planet.

Daywalt and Jeffers’ wildly popular Crayons have an important ecological message.

Though climate change is never mentioned, the book nevertheless gently introduces responsibility for Planet Earth. As in previous titles, the main text is in a large black font, while the Crayons’ dialogue is presented in a smaller, gray font. Blue begins by showing off a blue-tinged image of the globe (land masses are depicted in a darker hue). Green takes over: “Yay, Trees! I did those!” Beige breaks in, pointing to a tiny wheat plant next to two large trees: “And wheat! I did the WHEAT!” Beige puts wheat front and center throughout—even on White’s drawing of mountaintop ice caps. When Red, Yellow, and Orange display drawings of various fruits, Beige interjects, “And WHEAT. Wheat is totally fruit.” Diplomatic Purple politely responds, “Um. NO. It is not.” Purple attempts to dissuade self-important Beige, but it all ends happily as the Crayons join hands and proclaim: “Our planet has all of us too, in many shapes, colors, and sizes.” Beige and Purple reconcile, with Beige adding, “And it’s our job to keep the planet safe.” Young children will easily absorb this positive message. Although these characters have had many outings, their quiet humor still succeeds, and fans will definitely want this new entry.

A droll exploration of color and nature—and a welcome reminder to safeguard our planet. (Picture book. 3-5)

Pub Date: Feb. 13, 2024

ISBN: 9780593621080

Page Count: 32

Publisher: Philomel

Review Posted Online: Nov. 18, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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