by Chico Buarque ; translated by Alison Entrekin ‧ RELEASE DATE: April 17, 2018
A slight but poignant exploration of the past that lies tucked away between the pages of musty books, revealing that our...
Wistful novel by Brazilian writer and singer/songwriter Buarque (Budapest, 2004, etc.), one with plenty of autobiography in its pages, of a son’s quest for the brother he never knew.
Ciccio is a Brazilian teenager who, mostly ignored at home as long as he keeps quiet, acts out in anti-social ways, including boosting cars with his pal Thelonious. His taste is questionable, since he’s given to bad whiskey and the first car we see them steal is a Skoda, but Ciccio is a young man of resources all the same; whereas his brother reads only comic books, Ciccio has “sort of managed to read half of War and Peace in French,” and now he’s trying out his English by sneaking into his aloof, intellectual father’s library to read J.G. Frazier’s Golden Bough. There, in that great book of shifting identity and parricide, Ciccio—his name a thin calque of Chico—discovers a letter, “written in German and teeming with capital letters,” to his father from a woman named Anne Ernst. The letter evokes buried memories of whispered conversations between Ciccio’s father and mother of a son he sired while working in Germany just before the rise of the Nazis. Ciccio’s search for his missing half brother allows him to give some humanity to his father, who might as well be a bust on a shelf, and it swallows up years. Buarque writes with occasional bursts of lyricism (“jealousy is a tunnel that leads to a tunnel within a tunnel”), but mostly his book is matter-of-fact, and as it proceeds it becomes ever clearer that Ciccio’s story is Buarque’s, the boundaries between fiction and nonfiction blurred and finally erased. The story, which interrogates the histories of Brazil and Germany as well as the dynamics of unhappy families, comes to an ending that can be seen from afar but that is moving all the same.
A slight but poignant exploration of the past that lies tucked away between the pages of musty books, revealing that our parents had lives before we were born.Pub Date: April 17, 2018
ISBN: 978-0-374-16120-0
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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BOOK REVIEW
by Chico Buarque & translated by Alison Entrekin
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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