by Chimamanda Ngozi Adichie ‧ RELEASE DATE: Oct. 17, 2003
Nonetheless, with Kambili the author has created a compelling narrative—and a surprising punch at end. A young African voice...
Earnest debut about a 15-year-old girl’s struggle to blossom under the tyranny of her father’s—and country’s—strong arm.
Kambili and her older brother Jaja live a luxurious life in Nigeria as the only children of a powerful man. Their father virtually supports his home village, owns factories, and, most importantly, owns the newspaper that champions free speech and the rights of the people at a time when silence is far safer. Papa is a hero. But at home in their quiet marble palace, Kambili and Jaja live in fear of regular beatings: “lessons” on how to become more pious Catholics. Mama’s miscarriages are the result of these, and Jaja has a deformed finger. The three are forever in danger of breaking the rules but are never quite sure what the rules are. Papa begrudgingly allows Kambili and her brother to visit his sister Ifeoma, and the trip, the first time away from their parents, is a revelation to the siblings. Widowed Auntie Ifeoma is a university professor and mother of her own three markedly different children. Though poor, Auntie Ifeoma’s house is filled with laughter, discussion, opinions and freedom, so different from the tightly regimented schedule Kambili and Jaja are used to that at first Kambili barely opens her mouth. Slowly (and with the help of young Father Amadi, whom she develops a crush on), Kambili begins to enjoy life a little. Alongside Kambili’s narrative is a portrayal of the sad state of contemporary African politics—the poverty-inducing corruption, rioting, and uncertainty of basic needs. Like many first-novelists, Adichie tries for too much; her portrayal of Kambili’s home life is striking but provides far too incomplete a depiction of Papa. Her portrait of Nigeria is fascinating but fragmented. Auntie Ifeoma and the cousins are likable enough but not memorable.
Nonetheless, with Kambili the author has created a compelling narrative—and a surprising punch at end. A young African voice welcome to American shores.Pub Date: Oct. 17, 2003
ISBN: 1-56512-387-5
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
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by Annie Leibovitz with Chimamanda Ngozi Adichie , Susan Sontag & Gloria Steinem
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by Nana Kwame Adjei-Brenyah ‧ RELEASE DATE: Oct. 23, 2018
Corrosive dispatches from the divided heart of America.
Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.
The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.
Corrosive dispatches from the divided heart of America.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91124-7
Page Count: 208
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Anthony Doerr ‧ RELEASE DATE: May 6, 2014
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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