by China Miéville ‧ RELEASE DATE: May 9, 2017
An intriguing march to revolution, told here with clarity and insight.
The award-winning fiction writer revisits the exciting, messy story of an explosive Russia on the brink of civil war.
London-born novelist and political theorist Miéville (Three Moments of an Explosion: Stories, 2015, etc.) takes on the roiling events of the Russian Revolution on the 100th anniversary of the Bolshevik insurrection. From the beginning of 1917, events occurred at a dizzying pace and involved a rich cast of characters, which the author delineates at the end of the book in a “Glossary of Personal Names.” Miéville tells the story in a frank, mannerist fashion. Of course, since readers know the outcome (“purges, gulags, starvation, mass murder”), there is a sense of dark foreboding throughout. The author questions whether it was inevitable that Vladimir Lenin and his cohort would shift increasingly to the left and embrace violent insurrection. No: events were constantly shifting and up in the air, and Miéville presents the action with his novelist’s eye. Looking to the “prehistory of 1917,” the author chronicles the cataclysmic changes in Russia in the late 19th century especially, including emancipation of the serfs in 1861 by Alexander II, who was assassinated by “People’s Will” radicals in 1881. “The man of the future in Russia,” noted populist writer Alexander Herzen, “is the peasant.” The Marxists believed that autocratic Russia was not yet ripe for socialism. Thus, the events that unfolded over the next two decades, as the working class gained confidence and size, were inchoate until brought into sharper focus by external crises such as the Russo-Japanese War, anti-Jewish pogroms, the institution of a “consultative parliament,” the Duma, by Czar Nicolas II, and the deeply unpopular mobilization for war against Germany in 1914. It was a “fraught and protean political culture,” as the author writes, juggling the many activist protagonists such as Leon Trotsky, who was working to incorporate the incendiary ideals of Lenin.
An intriguing march to revolution, told here with clarity and insight.Pub Date: May 9, 2017
ISBN: 978-1-78478-277-1
Page Count: 368
Publisher: Verso
Review Posted Online: March 1, 2017
Kirkus Reviews Issue: March 15, 2017
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by China Miéville & Zak Smith ; illustrated by Zak Smith
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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