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THE LION AND THE JOURNALIST

THE UNLIKELY FRIENDSHIP OF THEODORE ROOSEVELT AND JOSEPH BUCKLIN BISHOP

An engaging tour of the busy intersection where history, politics, journalism and power converge.

A freelance journalist debuts with an account of the little-known relationship between a powerful journalist and a president.

The author has much on his narrative plate. The social and political history of the early 20th century, the biographies of Roosevelt and Bishop, the story of the Panama Canal—all figure prominently. Bishop, 12 years older that Roosevelt, outlived the bully president by nearly a decade. The author, who is Bishop’s great-grandnephew, begins with the 1919 death of Roosevelt, then devotes some chapters to the lives of his principals before they met, cutting back and forth between them. Bishop, a so-so student at Brown, moved to New York City, where he gradually ascended journalism’s ladder until he was writing popular editorials for the New York Evening Post. Interwoven is the progress of Roosevelt through young manhood and his initial government posts, including his appointment as New York City police commissioner, a job that soon connected him with Bishop. The author writes that there was no magic moment of meeting, but they both realized the other’s value. Though Bishop did not always support Roosevelt’s actions, he did so with enough frequency that when his journalism career was collapsing, he landed a position with the Panama Canal Commission, a position that caused some in Congress to cry cronyism. The author, responding that his ancestor worked hard and did well, quotes generously from the many letters between the two and from secondary sources on Roosevelt, the block quotations from which sometimes make his text look like a term paper.

An engaging tour of the busy intersection where history, politics, journalism and power converge.

Pub Date: Nov. 8, 2011

ISBN: 978-0-7627-7754-9

Page Count: 336

Publisher: Lyons Press

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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