by Chip Bishop ‧ RELEASE DATE: April 3, 2014
Adds to the literature on the Roosevelts and Whitneys, but the father-son relationship holds more interest than the romance.
This dual biography recounts the lives and doomed courtship of Quentin Roosevelt, youngest son of Theodore, and Flora Payne Whitney.
Biographer Bishop (The Lion and the Journalist: The Unlikely Friendship of Theodore Roosevelt and Joseph Bucklin Bishop, 2011) examines letters, cablegrams, diaries and other sources—some still unpublished—to tell how these two scions of influential American families grew up, met and fell in love. Quentin (1897-1918) was the irrepressible youngest child in the large Roosevelt household. Energetic and curious, he had a deep interest in engines and machines (especially aeroplanes) and loved fiction and poetry. Flora (1897-1986), daughter of one of the wealthiest families in America, was raised largely by governesses among luxury and privilege. Bishop traces their relationship “from awkward adolescent acquaintanceship to impassioned love” through their engagement and Quentin’s death in an aerial battle. Well-written and novelistic, the book also brings to light unpublished material, helping augment the stories of two prominent American families. But Bishop’s emphasis on a year and a half of “exemplary love…authentic and full-bodied” between two 20-year-olds has a weak foundation. Reading their letters, there is little to distinguish their relationship from that of any other young couple separated by war, missing each other and fearing for the future. “I love you, dearest, and always shall” is something any lonely airman might write. More fruitful are Bishop’s speculations about how damaging Theodore Roosevelt’s high expectations for his sons were when combined with “a distorted, romanticized view of war.” (An interesting comparison here might have been made to Kipling and his son.) Sometimes, though, Bishop seems to romanticize war himself; he quotes—with no sense of irony or history—the tag “Dulce et decorum est pro patria mori” (it is sweet and right to die for your country) after describing the Great War memorial tablet at Quentin’s school.
Adds to the literature on the Roosevelts and Whitneys, but the father-son relationship holds more interest than the romance.Pub Date: April 3, 2014
ISBN: 978-1495253836
Page Count: 276
Publisher: CreateSpace
Review Posted Online: Sept. 22, 2014
Review Program: Kirkus Indie
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by Chip Bishop
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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