The 1950s setting, the pellucid prose, and the propulsive plot make this very steamy debut novel about morality and desire...
This young couple's September honeymoon in Cape May got so boring they almost went home early. If only.
Henry and Effie got married a few months after high school graduation in their 1950s Georgia hometown and have come to while away two weeks in Effie's uncle's house, the site of fondly remembered summer visits all through her childhood. Unfortunately, Effie "had not understood what 'off-season' meant,” and Henry's no help—he's never been north of Atlanta. Sadly, the "old clerk at the grocer’s seemed as happy to see them as they were to see him." At least they have the delicious problem of losing their virginities, and then their inhibitions, with the help of Uncle George's well-stocked liquor cabinet. But after several days, the sad, lonely feel of the town starts to get to them. They are planning to leave a week early when they notice lights on down the street and decide to stop by. The effusive woman who answers the door turns out to be someone Effie knows, a friend of her much older cousin—actually, someone she hated. But before she can get Henry out of there, gin is being poured, dinner is being served, and a gang of people, including everyone from older men in tuxedos, beatniks, Coast Guard cadets, and a naked toddler, is boogeying it up in the living room. Higher on gin and excitement than she's ever been in her life, Effie decides running into Clara Strauss was not such a bad thing after all. The couple becomes completely infatuated with this decadent, sexy, cosmopolitan crowd, in the process falling down a rabbit hole with life-changing consequences. Deceptively relaxed and simple at first, the novel seems to be an easygoing trip down Memory Lane. It soon reveals itself as a swirling vortex of psychological suspense with insights about marriage that recall writers like Margot Livesey and Alice Munro.
The 1950s setting, the pellucid prose, and the propulsive plot make this very steamy debut novel about morality and desire feel like a classic.Pub Date: April 30, 2019
ISBN: 978-1-250-29715-0
Page Count: 256
Publisher: Celadon Books
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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