Ultra-clever, and moving, too.
Psychological thriller, crime novel and “what-if” sequel to The Great Gatsby—with significant twists.
Schizophrenic, yes, and alcoholic—but Bobbie Crocker isn’t your stereotypical street person. Bohjalian (Before You Know Kindness, 2004, etc.) invests him with mystery; when he dies in Burlington, Vt., he leaves behind photographs from 1960s issues of Life magazine. Eartha Kitt, Dick Van Dyke, Muddy Waters—they’re celebrity shots he took, combined with elegant evocations of Jazz Age Long Island. Laurel Estabrook, social worker at Crocker’s shelter, discovers something else among them: a snapshot of herself riding a bike, just as she had, seven years before, when savaged by two thugs. The attack scarring her, she’d retreated into PTSD therapy, affairs with comforting, if noncommittal, father figures and a life less of ambition than service. Crocker’s photos provide Laurel clues to their strangely interconnected pasts—and she sets out to decode them. Had the homeless man actually been to the manor born, son of Tom and Daisy Buchanan of fabled West Egg? His sister denies it, having spent most of her 70 years trying to whitewash her parents’ reputation—Tom’s brutality and Daisy’s suspicious involvement in the car crash that killed one of his lovers. Had those wealthy, morally bankrupt parents caused Bobbie’s “double bind,” provoking schizophrenia by instilling in an unwanted child love/hate mixed messages? Or could Bobbie’s father be someone yet more notorious, the darkly glamorous star of Fitzgerald’s masterpiece? And why was Laurel’s own likeness found in Crocker’s cache? Sleuthing obsessively, she discovers that Bobbie had a son himself, a boy who grew up to terrify his father. And terrify her. Conflating literary lore, photographic analysis and meditations on homelessness and mental illness, Bohjalian produces his best and most complex fiction yet.
Ultra-clever, and moving, too.Pub Date: Feb. 13, 2007
ISBN: 1-4000-4746-3
Page Count: 368
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2007
An ambitious, absorbing caper that’s smartly paced, tough-minded and infused with emotional depth.
Mallon’s latest historical novel (after Bandbox, 2004, etc.) takes us back to the nominally peaceful mid-1950s, when the twin menaces of Communism and homosexuality were the real enemies of all things American.
Taking a page or two from Gore Vidal, Mallon juxtaposes the progress of Wisconsin Sen. Joseph McCarthy’s vindictive Un-American Activities Committee with the (similarly verboten) “subversion” practiced by closeted State Department whiz Hawkins Fuller (of godlike face and form, and shifting loyalties) and the young naïf who worships him. Callow senatorial aide Tim Laughlin is soft-shelled meat for the rapacious sexual appetites of the “Hawk”: A gentle, good Catholic boy who hoped political life might make a man of him, he refuses—even in the confessional—to repent of the dark pleasures to which Fuller subjects him. Their relationship takes place over a span of several years marked by the Korean War’s conclusion, the Suez Crisis, the Hungarian Revolution and the looming national prominence of V.P. Richard Nixon and Sen. John F. Kennedy. Though the large load of exposition required is not always successfully dramatized, we do learn much about the major issues of the time, and Mallon proves adept at making complex geopolitical matters flesh by filtering them through the viewpoints and agendas of both his principal fictional characters and a lively horde of historical ones, including Washington columnist Mary McGrory, Joseph McCarthy’s duplicitous attack dog Roy Cohn and miscellaneous members of Congress. The fallout from power politics is vividly shown in its destructive relation to Tim Laughlin’s selfless love and vulnerable idealism, as the Hawkins Fullers of the world ride the bubble of their charm, over bodies too numerous to count.
An ambitious, absorbing caper that’s smartly paced, tough-minded and infused with emotional depth.Pub Date: May 1, 2007
ISBN: 0-375-42348-6
Page Count: 368
Publisher: Pantheon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A handsome young psychopath begins a spree of train robbery and murder in the West Texas border country, and the victimized railroad hires the legendary Ranger Captain Woodrow Call, aging hero of McMurtry's Lonesome Dove, to stop him. Gabby, funny Gus McCrae is in his grave, but years later other veterans of McMurty's epic cattle drive live on. Woodrow Call is nearly an old man, still maintaining his reputation as the greatest manhunter in the West. Living nearby, Pea-Eye, Call's old corporal, is a farmer married to Lorena, the gracefully fading beauty who once worked as a prostitute. Pea-Eye and Lorena, the only teacher at the little local school, have five children. Captain Call's final manhunt begins with orders from Colonel Terry, president of the railroad whose trains have been knocked off and passengers murdered by coldblooded Joey Garza. Call summons Pea-Eye to ride with him as he has always done, but Pea-Eye, who almost desperately loves his farm and family and who is beginning to feel his age, refuses the Captain for the first time in his life, and Call has to begin his hunt with no help other than that of Mr. Brookshire—the Brooklyn accountant Col. Terry sent to mind his money. The manhunt is almost immediately complicated by the return of Mox Mox, a murderous pervert who likes to torture and burn his victims. Mox Mox is working the same territory as Joey Garza, a beat also patrolled by the gunslinger John Wesley Harding. It's really more than Call can handle, no matter how quickly the terrified Mr. Brookshire loses his city-bred helplessness. As Call slowly tracks Garza, Maria (Garza's mother) sets out to save her son; a guilt-ridden Pea-Eye finally rides off to join his old boss; and Lorena follows her husband. Everybody who survives winds up in Joey's hometown for the showdown. Bleak, stately, terrifying, and moving: It's not just the wonderful story and completely original, perfectly American characters; McMurtry writes as well about aging as has ever been done.
Pub Date: Aug. 23, 1993
ISBN: 0-671-79281-4
Page Count: 592
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
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