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THE SLEEPWALKER

Sensational subject matter aside, this thriller is a sleeper.

Bohjalian’s latest considers the impact of a sleepwalker’s disappearance on her husband and children.

Lianna Ahlberg, Bohjalian’s 21-year-old protagonist and first-person narrator, drops out of Amherst after her mother, Annalee, a known sleepwalker, disappears one night. Lianna takes over the running of the family’s Victorian home in the fictitious village of Bartlett, Vermont. The family and police fear her mother may have fallen, or jumped, off a bridge into the river below—a somnambulating Annalee had been wrestled off that bridge before, by Lianna. Her father, Warren, a Middlebury College professor, copes poorly, dosing himself with scotch and passing out every night in front of the TV. Preteen sister Paige, the only athlete and brunette in the family (causing some to doubt her parentage), bridles under Lianna’s supervision. Lianna is drawn to Gavin Rikert, the police detective investigating the disappearance. Gavin, 12 years her senior, is equally interested in her. A sleepwalker himself, Gavin had maintained an avowedly platonic friendship with Annalee after they met in a sleep clinic. Italicized segments preceding each chapter are narrated by a sleepwalking insider, presumably Annalee, who claims to suffer from “sexsomnia”: a rare condition wherein sleepwalkers turn sexually voracious. If they're in bed alone, as Annalee was on the night she went missing (Warren was at a conference), they'll go in search of a partner and/or victim. Alarmingly, it turns out that Gavin also has that proclivity, which doesn’t bother Lianna as much as it should, especially after they begin sleeping together. The problem with the novel is primarily one of shape. The first two-thirds of the book are spent wondering whether Annalee is missing or dead. Once we find out, the pace picks up, but the only reason the ending is a surprise is because most of the clues seeded in the first two-thirds prove to be red herrings.

Sensational subject matter aside, this thriller is a sleeper.

Pub Date: Oct. 10, 2016

ISBN: 978-0-385-53891-6

Page Count: 304

Publisher: Doubleday

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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