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11 Stories

A wonderfully clever compilation.

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  • Kirkus Reviews'
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The superintendent of an 11-story apartment building in Chicago falls from the roof, remembering stories of the tenants on his way down.

As a teenage trumpet prodigy, Roscoe lost a finger in the gate of his apartment building’s elevator. His trumpet dream shattered, he became superintendent of that same building, where he’s lived all his life. Now living in a Spartan basement apartment, he sees to the needs of the building’s tenants. But Roscoe never gave up on the trumpet, and on a fateful autumn evening, he ascends to the roof of the building to play his trumpet for all the world to hear. The people down on the sidewalk are entranced. Roscoe finishes and modestly bows—but loses his balance and begins his fatal plunge. Then the frame story launches: Time slows as Roscoe descends 11 floors, remembering a story about someone who lived on each floor he passes. Sylvia Freeman, a hoarder, lived on 10. On seven lived exiled Joaquin Rojas, whose Cuban friend sent him books stolen from Castro’s library. David and Bill, the gay couple who lived on the sixth floor, split up over a stupid misunderstanding. Mrs. Delpy lived on five, where her psychotic son Martin crawled out on the ledge, followed by Roscoe. Finally, on the second floor lived Roscoe’s only lifelong love, Iris Montgomery, with their illicit love consummated just once. Cander’s book isn’t quite Sherwood Anderson’s Winesburg, Ohio (1919), though. Some stories, like the perennially clogged toilet on eight, are playful anecdotes. Yet many of the tenants show heartbreaking spiritual damage; some of them are admirable, some not so much. Quiet, diffident Roscoe, who’s spent half a century supporting them all in one way or another, just as admirably supports these stories.

A wonderfully clever compilation.

Pub Date: April 10, 2013

ISBN: 978-0988946507

Page Count: 234

Publisher: Rubber Tree Press

Review Posted Online: July 1, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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