A wonderfully clever compilation.
The superintendent of an 11-story apartment building in Chicago falls from the roof, remembering stories of the tenants on his way down.
As a teenage trumpet prodigy, Roscoe lost a finger in the gate of his apartment building’s elevator. His trumpet dream shattered, he became superintendent of that same building, where he’s lived all his life. Now living in a Spartan basement apartment, he sees to the needs of the building’s tenants. But Roscoe never gave up on the trumpet, and on a fateful autumn evening, he ascends to the roof of the building to play his trumpet for all the world to hear. The people down on the sidewalk are entranced. Roscoe finishes and modestly bows—but loses his balance and begins his fatal plunge. Then the frame story launches: Time slows as Roscoe descends 11 floors, remembering a story about someone who lived on each floor he passes. Sylvia Freeman, a hoarder, lived on 10. On seven lived exiled Joaquin Rojas, whose Cuban friend sent him books stolen from Castro’s library. David and Bill, the gay couple who lived on the sixth floor, split up over a stupid misunderstanding. Mrs. Delpy lived on five, where her psychotic son Martin crawled out on the ledge, followed by Roscoe. Finally, on the second floor lived Roscoe’s only lifelong love, Iris Montgomery, with their illicit love consummated just once. Cander’s book isn’t quite Sherwood Anderson’s Winesburg, Ohio (1919), though. Some stories, like the perennially clogged toilet on eight, are playful anecdotes. Yet many of the tenants show heartbreaking spiritual damage; some of them are admirable, some not so much. Quiet, diffident Roscoe, who’s spent half a century supporting them all in one way or another, just as admirably supports these stories.
A wonderfully clever compilation.Pub Date: April 10, 2013
ISBN: 978-0988946507
Page Count: 234
Publisher: Rubber Tree Press
Review Posted Online: July 1, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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