Pure corn syrup.
A child with ostracism issues finds a timber tutor in this illustrated spinoff from the Land of Stories series.
Waking from his afternoon nap to find a lass weeping on an adjacent stump, the Curvy Tree enquires as to the cause of her distress. She whinges: “I’m never going to find a friend,” because the village’s mean other children “say that I talk funny, I’m not pretty, and I’m not smart.” In response, the tree informs her that his twisted limbs saved him from loggers years ago, and then he lifts her up to see more curvy trees all around, each with a child in its branches. You’ll find friends aplenty, he assures her, when you grow up and leave town—or, as he puts it, “look past the horizon.” The narrative is not only trite, but contradictory, as the child sees the tree on one page and on the next “didn’t even notice it.” Dorman endows the golden-brown Curvy Tree with kindly features, dominated by a ski-shaped nose, that slide freely up and down the trunk. Though an evergreen in the Land of Stories novels, here it looks much more like a hazel, with sparse foliage and corkscrew boughs. The child displays no such signs of physical unattractiveness; on the contrary, her cute, gigantic spectacles and woolly blonde mane make the “not pretty” business sound more like peer envy than teasing.
Pure corn syrup. (Picture book. 6-8)Pub Date: Oct. 27, 2015
ISBN: 978-0-316-40685-7
Page Count: 32
Publisher: Little, Brown
Review Posted Online: Aug. 25, 2015
Kirkus Reviews Issue: Sept. 15, 2015
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
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