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A BAD IDEA I'M ABOUT TO DO

TRUE TALES OF SERIOUSLY POOR JUDGMENT AND STUNNINGLY AWKWARD ADVENTURE

The author has a good time laughing at himself, but he needs more interesting stories to tell.

The up-and-coming comedian shares—and occasionally overshares—tales from his nerdy, manic-depressive youth.

In the introduction to his debut collection of personal essays, Gethard proclaims that he has “always wanted to charge headlong into outlandish situations at the first sight of them.” Outlandish situations are in dispiritingly short supply here, though: Gethard’s predicaments are largely of the garden-variety teen and 20-something variety, from awkward sexual experiences to moving violations. Growing up in New Jersey, the author was an introvert whose relatives were prone to violent verbal explosions, and the title story reveals how he inherited some of that barkiness. Alas, too often Gethard oversells moderately irritating experiences as hyper-wacky, emotionally cataclysmic events. When he balances his self-deprecating posture with some genuinely humiliating moments, he can be funny: In “White Magic,” he recalls an ill-fated stint playing a pimp for a Z-grade pro-wrestling league, and “The World’s Foremost Goat” is an amusing fable-like yarn about how his attempt to get an easy A in college led him to care for a goat in a harder-than-expected agriculture class. The stories run in chronological order, and as Gethard becomes more involved in the New York comedy scene the book acquires something of an arc: Self-hating funny guy comes to terms with his depression. (He breaks down on the phone with his mom more than once.) So he’s easy to root for toward the end in “Jiu Jitsu,” in which he ties his modest martial-arts success to his hard-won emotional equipoise. But to get to it, readers have to get past the self-explanatory “Colonic,” and Gethard isn’t funny enough to justify detailed discussions of his bowel movements.

The author has a good time laughing at himself, but he needs more interesting stories to tell.

Pub Date: Feb. 1, 2012

ISBN: 978-0-306-82030-4

Page Count: 256

Publisher: Da Capo

Review Posted Online: Dec. 4, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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