A solid contribution to the literature of resource extraction and its discontents.
An investigative reporter takes on big coal in a tangled account of the battle for justice for miners stricken with lung disease.
In 2011, while working as a reporter for the Center for Public Integrity, Hamby often came into the orbit of “factory workers, men and women who’d lost loved ones in accidents, or survivors whose lives had been forever altered” by some malfeasance or another on the part of the bosses. Nowhere was this truer than in coal mining, where fires, cave-ins, and other occupational hazards were ever present but where the greater toll came in the form of lung disease. Countless lawsuits have been filed to obtain compensation for affected workers and, more often, their widows. However, as the author writes, “companies would rather spend stacks of cash fighting each case to the bitter end than pay the modest benefits to their former employees.” It was up to “a small but scrappy coalition” of crusading attorneys, labor organizers, health care professionals, and citizen advocates to piece together evidence proving a pattern of deception: Coal companies would convince willing politicians (Donald Trump among them) that environmental regulations were too burdensome, commission doctors to cast doubt on miners’ claims for compensation, and engage in other evasions. In the end, as the roster of victims of pulmonary illnesses grew as the decades passed, that coalition finally managed to push through legislation at the national level that, among other things, “would allow attorneys to collect partial fees as the claim progressed, rather than having to wait years for an uncertain payday at its conclusion,” and made provisions for retesting of miners whose claims had been denied due to suspect medical claims on the part of the coal companies. Hamby’s book is a touch long but full of memorable moments; it sits well in the tradition of advocacy journalism that includes recent books such as Carl Safina’s A Sea in Flames and Karen Piper’s Left in the Dust.
A solid contribution to the literature of resource extraction and its discontents.Pub Date: Aug. 18, 2020
ISBN: 978-0-316-29947-3
Page Count: 448
Publisher: Little, Brown
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 15, 2020
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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