Readers willing to go with the flow can look forward to the sequel
In a blasted, post-apocalyptic future, only three life-forms remain: humans, omnivorous locusts and the bioengineered corn that has become the sole source of food and fuel to civilization’s remnants.
Banyan, 17, makes his living as his dead father did, by fabricating trees from scrap metal. A wealthy landowner commissions him to build a forest, providing as a template a beautiful, yellow-leaved tree tattooed over the torso of his wife. Stranger still, the woman’s daughter shows him a recent photograph of a man—his father!—chained to a living tree. In short order, Banyan and a motley crew—his client’s son and a charismatic pirate girl, joined at various points by the wife, her daughter and the landowner’s Rasta bodyguard—are racing the landowner to the trees. They just have to get past GenTech’s massive cornfields and the locusts that live in them. Howard has a gift for the phantasmagoric image: the killing Surge that is this future’s ocean, the bark Banyan finds growing on a homeless man, the swarm of locusts descending for the kill and more. But he takes huge narrative leaps and skimps on worldbuilding, neglecting to explore this GenTech-controlled economy or where oxygen now comes from. It’s a refreshingly male-oriented world, though, despite the abrupt attraction between Banyan and the pirate that feels chucked in to provide the now-requisite romantic element.
Readers willing to go with the flow can look forward to the sequel . (Science fiction. 14-18)Pub Date: Nov. 1, 2012
ISBN: 978-0-545-38789-7
Page Count: 336
Publisher: Scholastic
Review Posted Online: Oct. 9, 2012
Kirkus Reviews Issue: Nov. 1, 2012
BOOK REVIEW
A standing ovation.
Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it...
Nerdfighter Green’s latest takes readers through Indianapolis and the human biome.
Aza Holmes doesn’t feel like herself. But “if half the cells inside of you are not you, doesn’t that challenge the whole notion of me as a singular pronoun…?” When a local billionaire—and the father of her childhood friend, a white boy named Davis—disappears, Aza (who seems to be white) and her BFF, Daisy Ramirez (who is cued as Latina), plot to find him and claim the reward, amid rumors of corruption and an underexplored side plot about semi-immortal reptiles. The story revolves around anxious Aza’s dissociation from her body and life. Daisy chatters about Star Wars fan fiction (and calls Aza “Holmesy” ad nauseam), and Davis monologues about astronomy, while Aza obsesses over infection, the ever present, self-inflicted wound on her finger, and whether she’s “just a deeply flawed line of reasoning.” The thin but neatly constructed plot feels a bit like an excuse for Green to flex his philosophical muscles; teenagers questioning the mysteries of consciousness can identify with Aza, while others might wish that something—anything—really happens. The exploration of Aza’s life-threatening compulsions will resonate deeply with some, titillate others, and possibly trigger those in between.
Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it hard to say what anyone else will think—but this is the new John Green; people will read this, or not, regardless of someone else’s gut flora. (Fiction. 14-18)Pub Date: Oct. 10, 2017
ISBN: 978-0-525-55536-0
Page Count: 304
Publisher: Dutton
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Oct. 15, 2017
BOOK REVIEW
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