Even though some of Kimball’s final clichéd observations and puffy epiphanies collapse like an ill-prepared pastry, he...

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FANNIE'S LAST SUPPER

TWO YEARS, TWELVE COURSES, AND CREATING ONE AMAZING MEAL FROM FANNIE FARMER'S 1896 COOKBOOK

The founder of Cook’s Illustrated and host of America’s Test Kitchen hosts an elaborate meal—a tasty time machine transporting readers back to the kitchens and dining rooms of Victorian America.

Kimball’s journey comprises numerous detours. We learn about the purchase and conversion of his Boston home, the discovery and renovation of an 1890s coal/wood stove, the training and practice of his support staff and the seemingly endless testing of and tinkering with recipes. (Cost seems not to have been much of a factor.) The author ends each chapter with the final version of the recipe he used. Kimball instructs us about the history of American cookery, utensils, food products and the choreography of the Victorian kitchen staff. He underscores the enormous effort it took to acquire food, prepare it and clean up afterwards, and he emphasizes the paradox of the class system in a democracy. The author also perused countless cookbooks from the era, read newspaper articles and recipes and studied old maps of Boston—all eventually influenced his decisions about the preparation of his mega-meal. Kimball tells the story of Fannie Farmer, whose kitchen was near his home, but he doesn’t think much of the aesthetic or gustatory pleasures of many of Farmer’s recipes (he uses terms like “inedible” and “particularly vile” to describe some of them). He recognizes, though, that she took a big step in the evolution of contemporary cooking. The day of the meal finally arrived—an event that PBS filmed and will air in November 2010—and amid the hustle, bustle and incredible cookstove heat, people ate a lot and sang old Broadway hits afterward.

Even though some of Kimball’s final clichéd observations and puffy epiphanies collapse like an ill-prepared pastry, he provides an appealing confection of cultural history, memoir and culinary instruction.

Pub Date: Oct. 5, 2010

ISBN: 978-1-4013-2322-6

Page Count: 272

Publisher: Hyperion

Review Posted Online: July 23, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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