An unremarkable memoir, but Disney fans will probably appreciate the insider view.
A close-up of life at Disney World.
Mitchell’s memoir speaks to a popular fantasy of running away to join the workforce at the iconic vacation destination: “All my life, Disney has been a kind of sanctuary for me, a place that felt safe when everything else was going fuzzy.” The California-bred author had worked as a semi-professional skateboarder and freelance photographer when cascading personal crises propelled him toward an impulsive move to the Magic Kingdom, where he quickly found work in photo processing. He was instantly fascinated by the intricacies of Disney culture: hidden messages in park architecture, endless regulations enforced by prissy managers and a high-school–like system of cliques with the employees who play “characters” at the top. “Anyone who believed in fairies could work, live, eat, drink, and date entirely within the Disney matrix without ever leaving Disney property,” he writes. “And from what I could tell, it wasn’t uncommon.” Initially disdained, Mitchell figured out a way to break the rules, becoming known as the “out of character” photographer—Goofy smoking, for instance—which ingratiated him with the snooty inner circle of Cast Members. Soon he committed the ultimate sin, when an attractive co-worker (“Dale”, as in Chip ’n Dale) initiated him into the SOP (Sex on Property) Club: “I was if I could almost see the spirit of Walt shaking his head, sorely disappointed.” Eventually, Mitchell became disillusioned in Orlando, especially after he was turned down for a coveted “face character” role of Aladdin, and learned that his friends and girlfriend at Disney were not the carefree perpetual adolescents they pretended to be. Mitchell effectively captures the inside minutiae of working at Disney, which will surely interest fans, and its surreal effect on the Central Florida landscape. However, the prose is often rambling and heavy on adjectives and clumsy similes.
An unremarkable memoir, but Disney fans will probably appreciate the insider view.Pub Date: Jan. 1, 2010
ISBN: 978-0-8065-3128-1
Page Count: 320
Publisher: Citadel/Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2009
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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