A compelling and brooding read.
The title hints at the tone, for this is indeed a Southern gothic story, set in Kentucky and focused on a man who would do anything to keep his family together.
Offutt's (My Father, the Pornographer, 2015, etc.) first fiction in almost two decades opens in 1954, when Tucker is coming back from the Korean War with 11 medals—and he’s not even 18. On the way home through rural Kentucky he stops a man from raping Rhonda, a 14-year-old girl, and he finds the potential rapist is not only the girl’s uncle, but also the deputy sheriff. Rhonda and her rescuer rather casually decide to marry, and Tucker makes a living making moonshine runs for Beanpole, an unfathomably corrupt, 350-pound colossus. The narrative then shifts to 1964, when Tucker and Rhonda have five children the state is threatening to remove from their home. It turns out that of the five, only Jo is “right,” the others having varying degrees of physical or emotional disability. But disabilities or not, Tucker and Rhonda love them all and don’t want the family separated. Blind with rage, Tucker hunts down and kills the social worker who was most adamant about taking his children. Using his connections, Beanpole gets Tucker a reduced sentence, but prison ultimately becomes a place where “Tucker retreated further into himself while increasing his vigilance” against fellow prisoners out to get him. The final part of the novel takes place when Tucker is released in 1971. He feels Beanpole cheated him when he was incarcerated, and now he’s looking for revenge. Offutt has a fine ear for Kentucky-speak and is able to make small shifts in vocabulary that capture the rhythms of rural conversation (“Hidy....Come on up and set a spell”). And Tucker is a knotty and complex character—warm and loving toward his family but cold and threatening toward almost everyone else.
A compelling and brooding read.Pub Date: April 10, 2018
ISBN: 978-0-8021-2779-2
Page Count: 240
Publisher: Grove
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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