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COUNTRY DARK

A compelling and brooding read.

The title hints at the tone, for this is indeed a Southern gothic story, set in Kentucky and focused on a man who would do anything to keep his family together.

Offutt's (My Father, the Pornographer, 2015, etc.) first fiction in almost two decades opens in 1954, when Tucker is coming back from the Korean War with 11 medals—and he’s not even 18. On the way home through rural Kentucky he stops a man from raping Rhonda, a 14-year-old girl, and he finds the potential rapist is not only the girl’s uncle, but also the deputy sheriff. Rhonda and her rescuer rather casually decide to marry, and Tucker makes a living making moonshine runs for Beanpole, an unfathomably corrupt, 350-pound colossus. The narrative then shifts to 1964, when Tucker and Rhonda have five children the state is threatening to remove from their home. It turns out that of the five, only Jo is “right,” the others having varying degrees of physical or emotional disability. But disabilities or not, Tucker and Rhonda love them all and don’t want the family separated. Blind with rage, Tucker hunts down and kills the social worker who was most adamant about taking his children. Using his connections, Beanpole gets Tucker a reduced sentence, but prison ultimately becomes a place where “Tucker retreated further into himself while increasing his vigilance” against fellow prisoners out to get him. The final part of the novel takes place when Tucker is released in 1971. He feels Beanpole cheated him when he was incarcerated, and now he’s looking for revenge. Offutt has a fine ear for Kentucky-speak and is able to make small shifts in vocabulary that capture the rhythms of rural conversation (“Hidy....Come on up and set a spell”). And Tucker is a knotty and complex character—warm and loving toward his family but cold and threatening toward almost everyone else.

A compelling and brooding read.

Pub Date: April 10, 2018

ISBN: 978-0-8021-2779-2

Page Count: 240

Publisher: Grove

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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