Though not quite as sensitive an observer or exceptional a writer as Cheever, Orcutt lies satisfyingly in his shadow.
Welcome to Wellington, New York, where, in this loose novel, readers can eavesdrop on the lives of the uber-rich and those who cater to them.
Think of a very, very upscale Winesburg, Ohio—with no inhabitant nearly so innocent as young George Willard. Or think John Cheever, for this is certainly Cheever country. Wellington is about a hundred miles north of Manhattan, populated by such as the well-named Hamilton Highgate and his trophy wife, Caprice, and Carlton Hale, M.D., the wives’ favorite doctor. And there’s Jimmy Tatko, the studly contractor who decides to make a circuit on foxhunt day, apologizing to all the rich wives he’s schtupped and then forsaken. Things don’t turn out well for Jimmy, considering his stomach cancer. The most Cheever-esque story of all may be “Garbage Feud,” in which, after the unnamed narrator throws his trash, innocently, into the wrong Dumpster, the feud is on and there’s no backing down. Things escalate until Crawford, the narrator’s nemesis, flips his truck with a disastrous outcome—but in a twist for our times, a literary agent sees the newspaper account, so there’s likely a million-dollar book and movie deal in the offing. Unlike some framed stories, main characters in one chapter will reappear, often as cameos or just references, in another. Readers do get a sense of Wellington as a real place where lives intertwine. Jimmy, for instance, may pleasure a fellow’s wife in one chapter, then turn up in another to give an estimate for his kitchen remodel. For all their wealth, most of these people are not happy—an old trope, of course, but one that Orcutt slightly twists. There are random acts of kindness, and in a heartening episode, someone steals an abused dog. Sometimes, even for those characters who are disagreeable or worse, there are hints that even they deserve our pity.
Though not quite as sensitive an observer or exceptional a writer as Cheever, Orcutt lies satisfyingly in his shadow.Pub Date: April 1, 2014
ISBN: 978-0615999838
Page Count: 254
Publisher: Have Pen, Will Travel
Review Posted Online: Sept. 18, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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