Though not quite as sensitive an observer or exceptional a writer as Cheever, Orcutt lies satisfyingly in his shadow.

ONE HUNDRED MILES FROM MANHATTAN

Welcome to Wellington, New York, where, in this loose novel, readers can eavesdrop on the lives of the uber-rich and those who cater to them.

Think of a very, very upscale Winesburg, Ohio—with no inhabitant nearly so innocent as young George Willard. Or think John Cheever, for this is certainly Cheever country. Wellington is about a hundred miles north of Manhattan, populated by such as the well-named Hamilton Highgate and his trophy wife, Caprice, and Carlton Hale, M.D., the wives’ favorite doctor. And there’s Jimmy Tatko, the studly contractor who decides to make a circuit on foxhunt day, apologizing to all the rich wives he’s schtupped and then forsaken. Things don’t turn out well for Jimmy, considering his stomach cancer. The most Cheever-esque story of all may be “Garbage Feud,” in which, after the unnamed narrator throws his trash, innocently, into the wrong Dumpster, the feud is on and there’s no backing down. Things escalate until Crawford, the narrator’s nemesis, flips his truck with a disastrous outcome—but in a twist for our times, a literary agent sees the newspaper account, so there’s likely a million-dollar book and movie deal in the offing. Unlike some framed stories, main characters in one chapter will reappear, often as cameos or just references, in another. Readers do get a sense of Wellington as a real place where lives intertwine. Jimmy, for instance, may pleasure a fellow’s wife in one chapter, then turn up in another to give an estimate for his kitchen remodel. For all their wealth, most of these people are not happy—an old trope, of course, but one that Orcutt slightly twists. There are random acts of kindness, and in a heartening episode, someone steals an abused dog. Sometimes, even for those characters who are disagreeable or worse, there are hints that even they deserve our pity.

Though not quite as sensitive an observer or exceptional a writer as Cheever, Orcutt lies satisfyingly in his shadow.

Pub Date: April 1, 2014

ISBN: 978-0615999838

Page Count: 254

Publisher: Have Pen, Will Travel

Review Posted Online: Sept. 18, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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