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BODACIOUSLY TRUE & TOTALLY AWESOME

EPISODE I: BAD BOY

A light-hearted, swift adventure that sees its young protagonist woo just about everyone he encounters.

A comical teen coming-of-age novel set in the 1980s from author Orcutt.

It’s February 1986. Avery “Ace” Craig is just about to turn 16. As his name suggests, Ace is cool. He works out every day, has the latest music his Walkman (Van Halen’s “Panama,” Duran Duran’s “The Reflex”), and, at least lately, teen girls seem to throw themselves at him. He’s also an honors student, skilled on the Scrabble board, and quick with verbal comebacks. Perhaps the icing on the cake is that, since he and his sister have “been dancing since they could walk,” he knows how to move. But Ace’s ultimate dream is to become a novelist like Ian Fleming. He tends to draw inspiration for how to act suave from Fleming’s James Bond. At the beginning of the story, Ace and some fellow students embark on a school trip to Washington, D.C. His school, Hancock, shares the trip with another high school called Vanderbush. The Vanderbush students are a little fancier than Hancock students, dressed as they are in their Wayfarer shades and “expensive ski jackets.” Nevertheless, while Vanderbush brings some snooty boys, it also has girls. One such girl is Penny Aston. After some note passing and other time period–appropriate flirtations, Penny and Ace are quite taken with each other. But Penny isn’t the only one vying for Ace’s affection. As a much more forward girl named Caitlyn herself puts it to Ace, “We need to be together, not you and Penny.” And so this would-be 007 must navigate the intricacies of teenage crushes and fooling around while also pulling off seemingly impossible stunts such as making President Reagan laugh.

Playfulness is the name of the game for Ace and his exploits. The reader is taken back in time, thanks to notes on music and some help from cultural references. The latter come with footnote explanations. For instance, when Ace talks Coca-Cola and New Coke with Sen. Ted Kennedy, the reader is told in a footnote, “In 1985, the makers of Coca-Cola introduced a sweeter, less-fizzy version of Coke called ‘New Coke,’ and public backlash was severe.” But the fun comes not from such summaries, but in the fast paced, steady action on the page. The question that always hangs over the narrative is what sort of situation Ace will get himself into next, particularly as he explores new terrain, like talking dirty. In a memorable scene, an admirer “made loud sucking, slurping, popping, and other sundry throat noises into the phone” before telling Ace, “I bet you’ve got a wicked rodney right now.” Halfway through the story, events head back to Ace’s hometown, but the dilemma remains: Penny or Caitlyn. In another soda reference, it’s remarked, “He had to make a choice, a much harder choice than Coke or Pepsi.” But direct statements and actions do muffle some of the excitement. It’s clear all along that Ace is a winner who can’t be stopped. As Penny puts it, “You’re incredible, Avery!” Such comments never come with irony. Or much subtly. Or much risk of Ace failing. Nevertheless, even though it’s obvious Ace will come out on top in life, the burning question is: Who will be by his side when he does? The first installment of a planned nine-book series.

A light-hearted, swift adventure that sees its young protagonist woo just about everyone he encounters.

Pub Date: Jan. 20, 2026

ISBN: 9781965999011

Page Count: 386

Publisher: N/A

Review Posted Online: Aug. 20, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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