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THE LIGHT YEARS

A MEMOIR

A captivating, psychedelically charged coming-of-age memoir.

A dazzling debut memoir from artist and designer Rush.

Growing up in a strict Roman Catholic family in New Jersey, the author felt both trapped and adrift as a child, a feeling exacerbated by his neglectful mother and alcoholic father, who was “a dark planet, exerting only vague astrological influence on his offspring.” Introduced to drugs, especially LSD, early on by his loving hippie sister, Donna, Rush continued to chafe under his suburban adolescence before finally setting out on a remarkable journey into the counterculture and across America, from his hometown to the wilderness of the Southwest. By the age of 13, he writes, “I took LSD as often as possible. Taking acid was like entering a painting of a storybook—a glowing dream world, lush and lovely. I felt no conflict between the real and the unreal. It was so easy to slip in between.” In sparkling, lucid prose that perfectly captures the joy, depression, anger, and wonder that characterized his adventures, the author recounts the seemingly endless hills and valleys of his unique tale. Among others, these experiences included countless days getting stoned in his parents’ basement, avoiding his dysfunctional parents; a stint in boarding school, where he became the primary drug dealer on campus; time living with Donna and a group of her friends on a drug compound in rural Arizona; enduring a shocking act of violence; and some weeks living a feral life in caves scattered around the deserts of the West. Along the way, while struggling with significant substance abuse (“sometimes I’d shoot up with…customers who craved a speechless high, who wanted to grow dim with me, become sputtering candles in the dark”) and grappling with his sexuality, Rush continued to draw, an artistic spark that took years to ignite into a career. He also suffered a near overdose. Though the narrative ends on a slight uptick, the author refreshingly avoids tying his story up with a pretty bow, and readers will wish for more from this talented writer.

A captivating, psychedelically charged coming-of-age memoir.

Pub Date: April 2, 2019

ISBN: 978-0-374-29441-0

Page Count: 384

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 3, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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