A gorgeous, human commentary on the paradox of modern life and modern art.
Structured as an interview with a fictional visual artist, Kiefer’s (The Animals, 2015, etc.) novella explores the ambitions and limits of art.
In the middle of an illustrious career, installation artist Frank Poole conceives of his most ambitious project yet: an entire town built from the ground up in the remote desert and then sealed for eternity. Driven by a troubled childhood and an obsession with getting as close as humanly possible to stopping time, Frank agrees to let a single interviewer shadow him during the weeks of creation. A parallel tale quickly develops in the interview, however, about Frank’s young wife/manager, Caitlin, who discovers she's pregnant with their first child. What begins as a lyrical prose poem about the creative process quickly knots into a layered narrative about love, family, art, missed chances, and how we constantly write and rewrite the stories of our lives. The most poignant moments of this self-proclaimed kinoroman, or cinema novel, focus not on Frank as artist but on Frank as wounded human, as terrified father-to-be, and on Caitlin as the woman who gave up her own dreams to follow her husband. Kiefer’s prose is spare and beautiful; like Frank’s white, sealed landscapes, the blank space on the pages carries great weight. One must also wonder whether this serves as a sort of ars poetica for Kiefer, one in which he considers his role in creation, in trying to stop time with words. There is a point where the interviewer observes, “What does he see there but himself, in all those landscapes….Everything a mirror.” In this way, this little novella carries the highest ambition: to articulate how art exists outside of time and is, at once, the purest and most selfish pursuit of all.
A gorgeous, human commentary on the paradox of modern life and modern art.Pub Date: March 22, 2016
ISBN: 978-0-9913141-3-3
Page Count: 193
Publisher: Nouvella
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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